The Space In Between

I find myself currently in the space in between. I accomplished so much work in January and February, and I now find that my creative self is requiring a break. I’ve been trying to cajole it into motion with small projects, leafing through pictures, reviewing calls for entry — it’s just not going anywhere right now. And that’s fine. Right now I have house company, and I’m enjoying doing for them. My studio went from looking like a train wreck a couple of weeks ago to a point now where it’s almost sterile. I put away all of the fabric from my last two projects as well as a bunch I got for Christmas. At least this gives me time to finish my taxes.

Leisa Rich & I decided to make one more piece for the Wash & Wax show exhibiting at Hammond Gallery at Jacksonville State University, thinking that the space was large enough to accommodate another piece. (By the way, we were wrong and ended up deleting a piece from the show for space limitations.) It’s a triptych in all grays — but with blue and green nail polish painted vinyl appliqués on the top. It’s much quieter from the other pieces but is striking on its own. I have a created a page for Dripped here.

While we were in Jacksonville, we had a one-day workshop for the art students. They do not currently have a textile program, but it was mind-blowing to me what these young adults could do with fabric in such a short period of time.

This is one of the students next to Bryce Lafferty, one of the professors who also curated our exhibit. The student is learning on to draw using one of Leisa’s sewing machines, and Bryce is working on a hand-sewn 3-dimensional piece.

Another one of the students, perfectly comfortable using the sewing machine as he would a pencil.

This is Brittany, who I predict is a future fabric stash-er in the making. I spent some time talking with Brittany. She’s incredibly talented. She’s graduating in May, and I hope that she finds the perfect place to grow in her artistic journey after graduation.

This particular piece is 2-d but organically shaped.

Hammond Gallery is newly renovated, and it’s a gorgeous gallery space. This is the entry with Entry Point above the guest book.

The large wall was reserved for Industrial Car Wash. It’s in a completely different composition than how it was presented at Abernathy. It has interchangeable pieces so it can fit different spaces. Given that the wall was a little smaller than the one we used at Abernathy, it is taller and reaches almost floor to ceiling.

Next to it is Skitter.

On the other adjoining wall are 6 of the photographs and 6 of the Micro Bubble Series. We actually had 8 of each but felt the wall was too crowded with 2 more rows.

Next to Skitter and covering the back entrance is Drive Thru Slowly made from actual car wash strips.

A far corner has Polish on the left, the 2 remaining photographs and 2 remaining Micro Bubbles, and then Leisa and I decided to bring individual pieces of our work for comparison to the collaborative work. Leisa brought Placid which we placed sculpturally on a pedestal (although it can also hang on the wall). I didn’t get a close-up picture of it, but you can find it on Leisa’s website here.

My piece is a self-portrait entitled The Canary. You can read more about it here.

This is a pic taken during the reception. From the left, Blurred Vision, Agitated, and Bubble Bath.

This is an awesomely cool panoramic shot of the gallery that Leisa took.

And this is a side view of Dripped. It was at the far end and couldn’t be stretched into the panoramic. You can see the blue and green nail polish accents a little better in this shot.

And as I mentioned before, the other piece that I hurriedly finished in time to be finished for the JSU show was my self-portrait, The Canary.

This one was really tough to photograph, and I’m not sure how well I succeeded. I was considering purchasing an external flash, but now I’m leaning towards using a local photographer that I’ve been introduced to that I think would do a better job of photographing my work. He essentially creates a white box — but a whole room like that, and then shoots through a pinhole. He also knows exactly the angles to set up the lights so that you’ll still see the texture of the surface of the work. I’ve photographed my own work enough to appreciate that the man really knows what he’s talking about.

But now here I am. I went from insanely busy finishing work for the opening at the JSU and preparing for the workshop — to nothing. I am in between. I think I’ll just enjoy it for a while.