Last year in Houston at Quilt Festival, I had the pleasure of meeting Marilyn Wall. I had admired her work for some time and was excited to meet her. She was attending with an old friend of mine, Denny Webster, who had recently moved from Atlanta to North Carolina.
Marilyn asked me recently if I was interested in participating in the Around the World blog hop. I’ve never done one of these before, but it’s essentially a way for bloggers to promote each other. Marilyn nominated me and another blogger — and I’m supposed to nominate a couple of other bloggers. Hmmmm. Most of the bloggers I know have already participated in this blog hop — and quite frankly, life has been very full around here recently.
BUT — what I CAN do is introduce a few things about me that you might not know.
What quilting/sewing thing am I working on?
If you follow my blog at all, you see what I’m working on. Right now, in my studio, I’ve been cutting out a portrait — I’m working on the hair right now. I’ll blog post about the face later this week. It’s my intention to enter this one in the National Portrait Gallery competition and hope it at least makes it to the semi-finals. Hope springs eternal. And in a little over a week, I’m traveling to Quilt Festival in Houston to step out in the Winner’s Circle and find out what my prize will be. I’m starting to feel butterflies in my stomach.
How does my work differ from others of its genre?
This is an interesting question. I started making representative patterns because I enjoyed the process, and my first series of portraits were all monochromatic color studies. Once I moved to Georgia and no longer had a wet studio, I was forced to begin considering commercial prints in portraits, and in this, I was definitely influenced by Deidre Scherer. I studied how she used patterns to her advantage rather than seeing them as an obstacle. I also studied Charlotte Warr Andersen, although all of her faces were made with solids. In the end, I made what I wanted to make. The norm at the time in fabric portraiture was not detail but rather obscurity — the side of the face or the back of the head, a closed mouth, a limited value range. I challenged myself to do teeth, to suggest the gum line or the tongue, to add the intention of the ear. I also made surprising fabric choices, not shying away from patterns, and learned how to make them work for me.
Why do I write/create what I do?
I create what I do because it makes me happy. It’s challenging, and I enjoy a challenging puzzle. I remember taking a picture of my daughter and making it into a pattern — and I loved to see the light of her eyes shine out at me from the design wall. I loved taking the impossibility of a waving flag and successfully presenting it within the confines of my 2D fabrics and the sculpture of my quilting thread.
How does my writing/creating process work?
Now this is a really long thing for me to answer succinctly. I have a picture for inspiration (usually one that I’ve taken but sometimes one that I’ve asked permission to use) and from that, I make a value painting in Photoshop (which means that I draw all over it because pictures are only the beginning and will never give you everything that you need because they are not as good as the human eye). From that, I make a pattern. From that pattern, I create fabric templates that I collage together (cutting and fusing — this is secretly my most favorite part). I then stitch it all together through raw edge appliqué, and then I quilt it.
That’s my story. I’ve had my website since April 2005 because I have always enjoyed computers and it was a way for me to stay connected when I lived in a small town in Alabama (particularly when I became a stay-at-home mom), and I started the blog in September 2007. I had been a writer in my youth, and I have enjoyed adding writing as an expression of my creative intentions. I have enjoyed my journey — and I’ve enjoyed sharing it with anyone that has cared to read it and follow it here.