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Working on Background
0I have made a lot of progress on my latest portrait quilt. I still have some work to do on the hair — but I am considering changing one of the fabrics. I am still not as good at seeing value change with my eyes as I would like — and I worry that there is not enough change between 2 of the browns in her hair. I am also beginning to think about what the background should be like. In the original photograph, she was wearing a sparkly silver sweater — but I don’t feel bound to stick with that. She and her husband lived several years in India, so I am considering a radical color scheme in fuschia, orange, & purple. We’ll just have to see how it goes. I’m going shopping this afternoon — I don’t have the right purple for something like that.

Making Progress
1I made more progress yesterday on my latest quilt. I added detail to the eyes and the ears. I still have her mouth (which will be hard — I picked out some fabrics today I think might work), the hair, and her sweater (which I will not recreate from the original photograph). I love to see the eyes come alive — one of the best parts.

This is a large piece & I had to take this picture standing on a chair — which is causing some distortion in the photograph — but I currently work with everything pinned down to a table. I don’t want to disturb that at this point in the process — it might throw off the alignment of remaining pieces. Just keep in mind that this is lying flat — and even though I am elevated, there is an angle from the camera’s perspective as I can’t get any higher without moving it.
The Zen of Cutting
0Cutting is by far my most favorite piece of creating — for me. Even before I touch my sewing machine, I have an idea of what the final product is going to look like. I love when you lay down all the pieces and it begins to look realistic — especially when using commercially printed fabrics — when you can disengage the brain enough to go beyond the prints.
This is what I have been working on — a portrait of a friend of mine. Just her naked face — I still have her hair — and a lot of detail in the ear, eyes, and mouth — but you can begin to see her peaking out at you through the fabric.

Working Along
0Last night, my Fiber Art Fusion group met & had a drawing workshop led by Mary Akers. She is such a talented teacher and was able to bring out the best work in all of her students. No tears — no mad dashes for the door. Using a still life & charcoal, these are the 2 pieces I did using different techniques:


I had so much fun that I may start drawing more. I have a sketchbook, but I don’t use it much. Most of what I do is on the computer.
I have been working on a new portrait of a friend of mine, Susan. When I first printed out the pattern, it was way too large, so I shortened it — and it still seems huge — but I’ve done a few in the 32 x 38 range. It is in the netherworld between 24″ and 40″ that will exclude it from many shows — but it is what is best for a portrait, IMHO.
This is a picture of the pattern traced onto vinyl on top of the base layer of muslin I fuse to.

I have picked out my face fabrics and will start my favorite part today — fusing & cutting!
Primer on Coffee Cuffs
0I made coffee cuffs for teacher gifts again this year. Last year I pieced them — but this year I relied on surface design techniques.
I took PFD white cloth and painted it with fabric paints, using water to make the colors blend. I made one with all hot colors — and then added some purple blotches for depth — and another in cool colors — again with a little bit of yellow green to jazz it up. After it was dry, I added another layer of paint using some of my rubber stamps. The hot color sheet got a third layer of metallic paints.

Then I layered it with cotton batting and a black sateen backing — and then quilted it simply using straight lines. Then I took my template for a coffee cuff (you can make one from a cardboard cuff) and copied it onto the fabric with a permanent marker.
At this point, I decide what color thread I’m going to use on the outer border. For the cool sheet, I wanted black, and the hot sheet called for yellow. Using the couching foot on my sewing machine, I couched crochet thread (in a color to match the border thread) over the drawn black line. I use a narrow zigzag — about 1.5 mm — but not as tight as a satin stitch — about a 1.0 mm length.

At this point, using very sharp & long scissors, I carefully cut out the cuffs as close to the crochet thread as I can get without snipping the couching thread. It is OK if a few are snipped, but too many will cause problems. If I have couched with a large needle, there are a series of holes made in the couching step that you can cut along.


Then I stitch a zigzag around each entire piece off the edge using 1.5 width and 1.0 length. A third pass is then made only along the long top and bottom edges using 1.5 width and .5 length. When that is done, you can pin the two short ends wrong sides together and then zigzag over them off the edge using a little bit wider zigzag with a 2.0 width and .5 length. The satin stitching over the ends doesn’t create a large enough bump to cause a problem. Just slip over a cup & enjoy not looking like everyone else at Starbuck’s!
I should also mention that instead of throwing away those pretty scraps, I cut out bookmarks.

I intend to decorate the ends with yarns and beads. They are waiting for me on my work table for some time. Maybe this weekend.
Christmas Mania
1Someone sent me to this video on YouTube. Since I’m a child of the eighties, I really loved it — and felt that it embodied how hectic Christmas has become for me.
(Unfortunately, this has since been removed from YouTube.)
Although I really love this time of year, I am pressed for time. I buy presents — but I also make some. I cook a lot — and unfortunately eat a lot (I admit I’m a “foodie”). I decorate — and at some point have to cut off my purchases (sometimes I think Christmas decorations are one of the best parts of the season).
I also struggle to finish what I’ve started. I have been working on the sleeping child for a while now. I had to stop her to work on some other projects — and now, as my husband would say, I have lost my “mojo”. I have been struggling to finish quilting it. I want it done before the children are home from break — did I mention that I also have to clean & cook for overnight guests? Making myself do it is difficult — in some part of my brain, I’ve finished it — although it still hangs unfinished on my wall.
I’ve also been working on teacher’s gifts. Since we are at a new school this year, I thought I could get away with coffee cuffs again. The truth of it is that although I have worked hard at making it different, I have a cool spot in my heart for the teachers and most of the other mothers. It is rather like a relationship with a elderly aunt that lives nearby — for whom nothing truly pleases (when are you going to clean the kitchen like you promised and do you expect a woman to die from lack of company and why are my gutters so full of leaves?) Anyway, this time I have been working on surface design — no piecing, no applique. I’ll take pictures to share later.
Also, last night was the Fiber Art Fusion holiday meeting. We had a 5 x 7 exchange — Rebecca got my small portrayal of Solomon. I have been watching jealously the round robin — which is finally coming to a close. I am hoping that they start one next year. They started it just before I joined. It is hard to belief that I haven’t yet been here a year.
Restless
1I get restless this time of year. I love to get all of my Christmas shopping done before Thanksgiving, but then I miss out on bargains. I feel like there is a lot to do, but I can’t get started. I feel restless in the mornings especially, and I am finding it hard to go up to my studio and work.
And I have lost my groove on my latest big piece of the sleeping child. I spent A WEEK making a Native American costume to wear to my child’s Native American Day. I was told I had to wear something authentic since I was the reader and they would give me the costume, but when the week started, they couldn’t get it & told me to make backup plans. So I went to JoAnn’s, bought a pattern, & happened upon moleskin — which is a great substitute for suede. It took me 3 days — and I thought it was great. I’ll have to put it on again & have someone snap a picture for me. The kids enjoyed it — they all wanted to play with the fringe.
Then I had to start something for the Fiber Art Fusion 5 x 7 exchange planned for our Christmas party next month. The irony is that we couldn’t have anything religious since there are so many in our group of different faiths. Not knowing what to do, I went with a portrait of one of my dogs. He is a Brittany Spaniel, just like my mom’s dog — and I just finished a quilt of her — so I did him in black & white. It actually captures his personality fairly well.
I also have a page about it on my website here.
I am still quilting the sleeping child. I did change the color of her lips to a cinnamon — it goes better with the brown tones of the face. I’ll let you know when I am done.
Saying Goodbye
0Any quilter worth her salt will covet the places she can find supplies that aren’t available anywhere else. Fiber On A Whim was one of those places. It closed its brick & mortar store yesterday, and Atlanta is sadder today for it. They will still have their online store, but the precious memories of working away in their wet studio downstairs cannot now be replicated.
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Who Does She Think She Is?
2Someone on QuiltArt directed me to a website with a trailer for a movie called Who Does She Think She Is? As a female artist, I found the statements in the trailer to be resounding. I have children and it does affect my work. I was also raised by an artist who made her career secondary to her children. And we do so gladly — but the world of fine art does not represent us well. See the trailer. I can’t wait until the film comes out.
Rejection
1Rejection is a hard thing for anyone, but it is part of every artist’s life if they are entering exhibitions. Most quilt exhibitions are juried by a panel reviewing slides of work and they see each image for about three seconds before they accept or reject it. There are a lot of factors that determine successful entry into a show — including the total amount of entries, the overall work of the entries, the intrinsic biases of the judges, and how well your work fits into the show as a whole.
Quilt National is one of the toughest, but also one of the more prestigious for art quilts. Entries in the exhibit tour for two years and are usually published in a book. Someone (forgive me for not remembering) thought that your chances at successfully entering Quilt National was about 10%.
Lately, I have been more interested in the art quilt only shows — the ones that do not have traditional quilt categories. So I entered Visions a few months ago — and then Quilt National.
I was not lucky with my Visions entry — but I wasn’t surprised. I recognize that personal issues threw my work off last year, and I didn’t create better work than the previous year.
But I was really excited about the Quilt National entry. I had started it in a flurry of creativity — and it was a quilt that was filled with intuition & creativity. It was representational — but not as illustrative as my other work — so I thought that it might find a place in the contemporary ranks of Quilt National quilts.
Alas, it was rejected. I received my first ever rejection email — and I didn’t know whether to be impressed at their technical savvy in giving immediate feedback — or crestfallen to be rejected so quickly & summarily.
QuiltArt has been great, however, and I’ve received a lot of positive feedback, so I’ll keep it on the list for another show. Someone mentioned the Form, Not Function exhibit — but unfortunately, for the first time, my quilt is too wide (my quilts are almost always not wide enough).
If you want to read more about how it was done, I have a page about it on my website here.

