Working Along

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Last night, my Fiber Art Fusion group met & had a drawing workshop led by Mary Akers. She is such a talented teacher and was able to bring out the best work in all of her students. No tears — no mad dashes for the door. Using a still life & charcoal, these are the 2 pieces I did using different techniques:

drawing1

drawing2

I had so much fun that I may start drawing more. I have a sketchbook, but I don’t use it much. Most of what I do is on the computer.

I have been working on a new portrait of a friend of mine, Susan. When I first printed out the pattern, it was way too large, so I shortened it — and it still seems huge — but I’ve done a few in the 32 x 38 range. It is in the netherworld between 24″ and 40″ that will exclude it from many shows — but it is what is best for a portrait, IMHO.

This is a picture of the pattern traced onto vinyl on top of the base layer of muslin I fuse to.

drawing

I have picked out my face fabrics and will start my favorite part today — fusing & cutting!

Twelfth Night

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Twelfth Night — the night of the 12th day of Christmas — is the time that we celebrate the coming of the Magi to give gifts to the baby Jesus. It is the last night before the feast of Epiphany, and we use this time to — well, have a party!

As I prepare to have our annual Twelfth Night feast, I thought that I would take a little time to share what I have been doing lately.

I finally finished my latest quilt. I think I’m going to call it Sweet Dreams. You can read about it on my website here.

I also finished my felted teacup. I was asked to make a pincushion for a swap at my local guild. I never made it to the Christmas meeting — and only finished the teacup today. I spent quite some time trawling the net looking for a pincushion that didn’t look like everyone else’s pincushion. What was the point of spending time on something pedestrian? I finally found the felted teacup and fell in love with it — which of course led me to start searching through thrift shops for wool sweaters I could felt (which has led to some wonderful discoveries other than sweaters). I am amazed at what some thrift stores have — I bought several designer pieces with the original tags still on them.

felted-teacup

I also had great fun with the I-cord maker. This wonderful idea is from Betz White who is known for her felted cupcake pincushions.

My second holiday inspiration came from my friend Rebecca Reasons. (By the way, she is the one that won the 5 x 7 of Solomon that I made for our Fiber Art Fusion Holiday gift exchange.) She is an awesome artist and just had an article published in the winter edition of Altered Couture. While I was sitting next to her at our artist’s party last month, she showed me the wonderful book cover that she had made. I loved it. Then when I went to the store to buy a new planner for the new year and couldn’t find one with a cover that I liked, I realized that I could make a cover for it. I hid away in my studio (family was home all last week) and pulled out scraps in purple hues — a little black & white — and then quilted it like crazy in yellow and orange circles. Then I added the inside tabs, a slot for a pen, and finished it in the way I make my coffee cuffs. I also added some threads for a bookmark — my only regret being that I wish that they were longer. I didn’t account enough for the ring in the binder — but I may yet tie more strings to the ends & add beads.

planner1

planner2

planner3

By the way, I am selling my Hinterberg stretch machine quilting frame.  Please email me if you are interested.

Primer on Coffee Cuffs

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I made coffee cuffs for teacher gifts again this year. Last year I pieced them — but this year I relied on surface design techniques.

I took PFD white cloth and painted it with fabric paints, using water to make the colors blend. I made one with all hot colors — and then added some purple blotches for depth — and another in cool colors — again with a little bit of yellow green to jazz it up. After it was dry, I added another layer of paint using some of my rubber stamps. The hot color sheet got a third layer of metallic paints.

painted-cloth

Then I layered it with cotton batting and a black sateen backing — and then quilted it simply using straight lines. Then I took my template for a coffee cuff (you can make one from a cardboard cuff) and copied it onto the fabric with a permanent marker.

At this point, I decide what color thread I’m going to use on the outer border. For the cool sheet, I wanted black, and the hot sheet called for yellow. Using the couching foot on my sewing machine, I couched crochet thread (in a color to match the border thread) over the drawn black line. I use a narrow zigzag — about 1.5 mm —  but not as tight as a satin stitch — about a 1.0 mm length.

outlined

At this point, using very sharp & long scissors, I carefully cut out the cuffs as close to the crochet thread as I can get without snipping the couching thread. It is OK if a few are snipped, but too many will cause problems. If I have couched with a large needle, there are a series of holes made in the couching step that you can cut along.

cut-out

hot-ones

Then I stitch a zigzag around each entire piece off the edge using 1.5 width and 1.0 length. A third pass is then made only along the long top and bottom edges using 1.5 width and .5 length. When that is done, you can pin the two short ends wrong sides together and then zigzag over them off the edge using a little bit wider zigzag with a 2.0 width and .5 length. The satin stitching over the ends doesn’t create a large enough bump to cause a problem. Just slip over a cup & enjoy not looking like everyone else at Starbuck’s!

I should also mention that instead of throwing away those pretty scraps, I cut out bookmarks.

bookmarks

I intend to decorate the ends with yarns and beads. They are waiting for me on my work table for some time. Maybe this weekend.

Christmas Mania

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Someone sent me to this video on YouTube. Since I’m a child of the eighties, I really loved it — and felt that it embodied how hectic Christmas has become for me.

(Unfortunately, this has since been removed from YouTube.)

Although I really love this time of year, I am pressed for time. I buy presents — but I also make some. I cook a lot — and unfortunately eat a lot (I admit I’m a “foodie”). I decorate — and at some point have to cut off my purchases (sometimes I think Christmas decorations are one of the best parts of the season).

I also struggle to finish what I’ve started. I have been working on the sleeping child for a while now. I had to stop her to work on some other projects — and now, as my husband would say, I have lost my “mojo”. I have been struggling to finish quilting it. I want it done before the children are home from break — did I mention that I also have to clean & cook for overnight guests?  Making myself do it is difficult — in some part of my brain, I’ve finished it — although it still hangs unfinished on my wall.

I’ve also been working on teacher’s gifts. Since we are at a new school this year, I thought I could get away with coffee cuffs again. The truth of it is that although I have worked hard at making it different, I have a cool spot in my heart for the teachers and most of the other mothers. It is rather like a relationship with a elderly aunt that lives nearby — for whom nothing truly pleases (when are you going to clean the kitchen like you promised and do you expect a woman to die from lack of company and why are my gutters so full of leaves?) Anyway, this time I have been working on surface design — no piecing, no applique. I’ll take pictures to share later.

Also, last night was the Fiber Art Fusion holiday meeting. We had a 5 x 7 exchange — Rebecca got my small portrayal of Solomon. I have been watching jealously the round robin — which is finally coming to a close. I am hoping that they start one next year. They started it just before I joined. It is hard to belief that I haven’t yet been here a year.

 

Restless

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I get restless this time of year. I love to get all of my Christmas shopping done before Thanksgiving, but then I miss out on bargains. I feel like there is a lot to do, but I can’t get started. I feel restless in the mornings especially, and I am finding it hard to go up to my studio and work.

And I have lost my groove on my latest big piece of the sleeping child. I spent A WEEK making a Native American costume to wear to my child’s Native American Day. I was told I had to wear something authentic since I was the reader and they would give me the costume, but when the week started, they couldn’t get it & told me to make backup plans. So I went to JoAnn’s, bought a pattern, & happened upon moleskin — which is a great substitute for suede. It took me 3 days — and I thought it was great. I’ll have to put it on again & have someone snap a picture for me. The kids enjoyed it — they all wanted to play with the fringe.

Then I had to start something for the Fiber Art Fusion 5 x 7 exchange planned for our Christmas party next month. The irony is that we couldn’t have anything religious since there are so many in our group of different faiths. Not knowing what to do, I went with a portrait of one of my dogs. He is a Brittany Spaniel, just like my mom’s dog — and I just finished a quilt of her — so I did him in black & white. It actually captures his personality fairly well.

I also have a page about it on my website here.

I am still quilting the sleeping child. I did change the color of her lips to a cinnamon — it goes better with the brown tones of the face. I’ll let you know when I am done.

 

Creative Streak

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I have had a major creative streak lately. I have several ideas in my head and am working happily away in my studio.

I went to visit a friend the day before yesterday — Heidi Miracle-McMahill. (You can find her work here.) I love the watercolor feel of her work. She let me play with her Caran D’Ache Neocolor II wax pastels. They are water soluble which means that they start to blend when you add water. I had brought over a set of Carb-Othello colored charcoal pencils that my mom had given me. They say that they are blendable but I didn’t find that to be the case. However, their color is very intense and work well in conjunction with the Caran D’Ache wax pastels.

I also really liked the fabric that she works with. She bought it from Fiber on a Whim. They called it Corona cotton canvas from Kaufman. It is a nice lightweight canvas — but heavier than Kona Cotton.

After we played, we went over to Dick Blick (which is just around the corner from both of us). I bought a small pack of the Caran D’Ache pastels and a nice paintbrush that I’ve been wanting. We looked at all of their canvas rolls, but they were unbleached and much heavier than what Heidi had.

When I came home, I had some cotton duck in the closet — so I thought that if I washed it, it would be close to the canvas cloth Heidi was using. It did soften, but when it was completely dry, it was stiff again. I have some Kona white in the closet. I think I’m going to experiment with that for a while. I don’t tend to paint my pieces — I am an applique kind of a gal — but surface design can be a lot of fun too.

I have not been keeping up on my blog with what I have in process. I have just laid out my latest piece. Here you can see the progress I made in the last few days:

I had a fabric epiphany last week. It hit me how to use commercial fabrics to make faces. I went into my closet & found exactly what I needed in my stash stuck in my white & brown drawers. I was so excited — and knew immediately that it would work.

Also, this is the first piece I’ve done in which I separate the face from the clothing — and from the lips. When I start in Photoshop & reduce the picture to B&W — then posterize it — I lose definition between objects that are different colors. I transferred the picture from Photoshop to CorelDraw to make my drawing — and then printed it out. I always smooth over the lines with a Sharpie marker on the final pattern. This time, I used colored Sharpies to define the jacket and the mouth. I had to go back to the original color picture to see where the lines should be drawn.

And here it is. I thought at first that the mouth was too red, but I’ve looked at it in Photoshop and a lighter color red doesn’t work. You may  not see it in the picture, but there are supposed to be highlights on the bottom lip. I may change that.

Hmmmmm. I’m not sure about the lips. I’ll have to think about it.

I should also mention that in my last two pieces, this one and Unconditional, I was very careful with selecting fabrics. I am usually so eager to start. I love cutting up all of the pieces — I think it is my favorite part. But I have learned that making sure now will make the project so much smoother. (I have to save spontaneity for my non-applique pieces.) On pieces that I made last year, I just used my  judgment, but the truth of the matter is that it is hard for my eye to always distinguish good value changes. Batiks especially can come out lighter in value than is expected. So I have been photographing my choice of fabrics and putting them on my computer. In Photoshop, I can take out the color, and when the picture is in B&W, I can easily see what works well and what doesn’t.

Back to the studio.

 

Saying Goodbye

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Any quilter worth her salt will covet the places she can find supplies that aren’t available anywhere else. Fiber On A Whim was one of those places. It closed its brick & mortar store yesterday, and Atlanta is sadder today for it. They will still have their online store, but the precious memories of working away in their wet studio downstairs cannot now be replicated.

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Who Does She Think She Is?

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Someone on QuiltArt directed me to a website with a trailer for a movie called Who Does She Think She Is? As a female artist, I found the statements in the trailer to be resounding. I have children and it does affect my work. I was also raised by an artist who made her career secondary to her children. And we do so gladly — but the world of fine art does not represent us well. See the trailer. I can’t wait until the film comes out.

 

Rejection

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Rejection is a hard thing for anyone, but it is part of every artist’s life if they are entering exhibitions. Most quilt exhibitions are juried by a panel reviewing slides of work and they see each image for about three seconds before they accept or reject it. There are a lot of factors that determine successful entry into a show — including the total amount of entries, the overall work of the entries, the intrinsic biases of the judges, and how well your work fits into the show as a whole.

Quilt National is one of the toughest, but also one of the more prestigious for art quilts. Entries in the exhibit tour for two years and are usually published in a book. Someone (forgive me for not remembering) thought that your chances at successfully entering Quilt National was about 10%.

Lately, I have been more interested in the art quilt only shows — the ones that do not have traditional quilt categories. So I entered Visions a few months ago — and then Quilt National.

I was not lucky with my Visions entry — but I wasn’t surprised. I recognize that personal issues threw my work off last year, and I didn’t create better work than the previous year.

But I was really excited about the Quilt National entry. I had started it in a flurry of creativity — and it was a quilt that was filled with intuition & creativity. It was representational — but not as illustrative as my other work — so I thought that it might find a place in the contemporary ranks of Quilt National quilts.

Alas, it was rejected. I received my first ever rejection email — and I didn’t know whether to be impressed at their technical savvy in giving immediate feedback — or crestfallen to be rejected so quickly & summarily.

QuiltArt has been great, however, and I’ve received a lot of positive feedback, so I’ll keep it on the list for another show. Someone mentioned the Form, Not Function exhibit — but unfortunately, for the first time, my quilt is too wide (my quilts are almost always not wide enough).

If you want to read more about how it was done, I have a page about it on my website here.

 

Reminders

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I friend of mine wrote me an email last night to tell me that she enjoys reading my blog, but I haven’t updated it since July. I admit that I think about writing in my blog — in fact, as a young student, writing was my means of creative expression.

Have you ever seen the movie Biloxi Blues? It is based around the boot camp days of a young writer. There are many scenes in which he realizes the power of words once they are written on the page and how deeply they can affect other people. At one point, he tries to rip up his notebook — to undo what he has done — but a friend reminds him that they can’t be undone and that he shouldn’t compromise his thoughts for the convenience of others. Well, that can be easier said than done. I had several friendships crushed because of my writing, and I think that although I retain a love of the written word through my incessant reading, I have been reluctant to return to the blank page.

And so I approach my blog with some trepidation. I am also a fairly private creature by habit and cannot fathom giving details of my personal life to the internet for anyone to read. But deep down, I love writing. I spend time thinking about what I will say, and when I finally sit in front of my keyboard, I pitter out my words with great affection.

Well, you ask, what have I been doing. The children were home for the summer and I had a marvelous time. I didn’t get much done, but I read a lot by the pool which was very relaxing. I did work up a pattern for a quilt I am working on now. It is from a picture of my mom’s dog, Fancy. She is a beautiful Brittany Spaniel that she got just after Hurricane Katrina. We are convinced that she was a well loved dog because she was beautifully trained but she was probably hastily given away when evacuees were unable to keep pets with them at shelters and hotels. To whomever had her as a puppy, know that she is well loved and taken care of. In many ways, I think that the universe conspired for her to go to my mother, a woman who needed daily unconditional love — and quite frankly, it was her turn.

I also started a few thread sketches. They are intended to be practice for studying the human face. The first one is my mom:

and the second one is my friend Lisa (she had no idea when I wanted to snap her picture over lunch that I was really going to use it):

These are quite fun to do and only take a day or two. However, the teeth remain very difficult. And then there is the issue of vanity. Let’s face it — no-one wants to see their faults. I think I remember my mom talking about that years ago. When you make a portrait, you have to make the person look better in order for them to like it. In some ways, it is difficult to give detail of the contours of the face in these sketches without it seeming like overkill.

I am still struggling with the medium. These are 3 layered quilts so some puffiness occurs even with a very thin cotton batting. I am considering making them with something stiff and flat in the middle instead of batting — like cotton duck. That would prevent distortion and puffing — and then they would be embroideries instead of quilts — but then they could be framed.

Also, I learned that even though I am using black thread, the background has to be a light value. The medium value I used in the first one is distracting if not seen in bright light.

I also took a workshop the other day from my friend Hellene. She works in abstract with her hand-dyed silks — and did I mention that her silks are scrumptious? She let us into her stash for the class and had us develop a small piece around a feeling. My work in general tends to be very controlled, but working abstractly and loosely are very good exercises for invigorating creativity — and I have done them before. Being able to incorporate her silks made it a lot of fun. I suffered, however, because I didn’t have the one thing I really needed — a normal set of scissors. (I always seem to get stuck in workshops without what I need.) The only pair I had was a very small pair designed for cutting threads. I misunderstood the class supply list and thought that we were going to spend more time embellishing — and that this would work fine. As it turned out, most everything I cut out was small — because my scissors were minute. I plan to continue working on it — but right now, the background is just white muslin & the contrast is too high.

I am working much faster than I did last year, and it is fun to have the creativity flowing so freely.

And finally, there is the reminder that today is September 11th. I still cannot bring myself to watch the news footage from that day for more than a few seconds. There was a cartoon in the paper of the NYC firefighters reaching the pearly gates of heaven & one of them proclaiming “Men — we’ve finally made it to the top.” This was a deeply painful experience for many of us, and it reminded all of us what it felt to be an American. I hope that that sense of fraternity isn’t lost in the coming election months.

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