Posts tagged collaboration

Studio Frenzy

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Last week, I finished cutting the 4th abstract in the Car Wash series that I’m working on with Leisa Rich.

Like my other pieces, I approached it with the intent of cutting it out in color order starting with the yellows, then the purples, then the blues — but as I went on, the entire thing became unwieldy. Breaking it down into meaningful pieces became really hard. I became best friends with my colored highlighters — and I bought more of them. I rued the day that I had drafted this thing. I think I may have pulled some hair out.

I ended up with all of my fabrics on the cutting board and the master pattern on top of the piece I was constructing.

This was my first picture.

abstract4_1

I started working on the blues at the bottom, then adding in the grays.

abstract4_2

Then I started working on the top but was coming to the realization that the only way I could approach this monster was to finish whole sections as I came to them.

abstract4_3

This is just insanity. I did realize that  I was almost out of that medium gray and I was going to need more. I was very pragmatic about it, though. I put all of the gray that I did have along the outer edges. Then I planned a search mission to the fabric store and luckily found something in the same color and value. It has a lot more texture, but I think that that’s fine.

abstract4_4

Here, I can see the light at the end of the tunnel. Literally, everything is done but the part in the very middle. At this point, I highlighted that section in the middle on my pattern so I’d know where I was. I kept getting lost.

abstract4_5

And here it is before I gave it to Leisa — a quick shot on my wall before I whisked it away. She is embroidering it. So many edges.

abstract4_6

On my new time keeping app, I can easily see how much time I’ve spent doing something. I spent 39 1/2 hours cutting this out. Holy cow.

So my next piece is going to be much simpler. It has to be. I have at least 4 more large pieces to do for the show and I want to have them completed by the end of May.

Since I handed this last abstract piece off to Leisa, I’ve been working on the abstract piece that will cover the largest wall in the gallery. It will be made up of a lot of smaller pieces that will be hung individually.  Leisa is making the tops of these pieces — and she gave me a bunch to work on. I pillowcase turned them — no easy feat — topstitched them, and am now adding some quilting. They’re meant to be very textural on the wall so they aren’t heavy with quilting. I’ll share some pics later.

I also wanted to share this picture of my daughter in the Dominican Republic. She went after Christmas on a mission trip with her school and her father.

camera

 

I let her take my camera — my DSLR Canon T3i. I was looking forward to seeing all of the pictures of the DR, but alas, the only pictures I will see are the ones they took with their cell phones. This is the last known sighting of my camera — it was stolen at the airport on her return trip home.

It made me very sad, but I have all ready replaced it. The camera body came last week — and I’m waiting on the lens. It should be here today or tomorrow. Instead of the 18-55mm kit lens, this time I opted for the “nifty fifty” — the prime 50mm lens. It has no image stabilization or zoom — but it’s “faster glass” with an f-stop of 1.8 compare to the f-stop of 3.5-5.6 on the kit lens. It’s a less expensive lens, but I’m told that it’s a far superior lens. Can’t wait for it to get here!

 

Quilting as Another Dimension

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Yesterday I finally finished quilting the 3rd abstract piece that I’ve been working on collaboratively with Leisa Rich. I have to admit that I let my mind run away with this one.

This is a pic that Leisa took of it after she had added embroidery.

#3 quilting before

And this is the same piece after I have quilted it.

#3 quilting after

I started with free motion quilted feathers — in metallic thread. CRAZY if you’ve ever sewn with metallic copper thread — but I had the wind at my back that day and it flowed like water onto the surface of the piece. I graduated through copper, purple, blue, and then a gray for the deepest part of the black fabric. I then moved over to the red and brought a flame stitch out of my bag of tricks. Then I moved down into the yellows and whites. I did change to more of a wavy frond for the white — I liked the difference in texture — and some of the yellow blobs were awarded with scallops.  I did revisit the copper thread on the lighter blue fabric over on the right hand side — but I was not lucky on those days and struggled with a lot of broken thread. I moved back into blue thread as soon as the piece was ready for a change.

I love free motion quilting on my Janome. Even sewing on the plastic overlay didn’t cause many problems. My Viking would have given me fits.

I hope Leisa forgives me for putting traditional feathers all over it. It called out for that organic feeling. I’ve never used so many free flowing feathers on a piece in my life. It felt good to step out of contour quilting.

#3 quilting detailI am giving this back to Leisa next week — I think she’s planning some hand embellishment.

We have a curator that approached a local Atlanta gallery about having a two person show of our work — and it looks like we have reached an agreement and the show will go on in late 2015. Time to get busy — I have a lot to do to get ready!

 

Leisa’s Turn with Abstract #3

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Leisa and I are having a such an exciting time with this series. It is so much fun to see what the other is going to do with the work. This is the 3rd one that we’ve done and we’re already planning #4 and #5.

I was wrong — this is not the one Leisa plans to cut into strips. In fact, she cut off all the extra yellow and black that I had added at the top and bottom and returned it to its horizontal orientation. I just chuckled. I liked it better that way too but it was her prerogative.

She free motion embroidered it like crazy, added black lace, painted it, added vinyl, and painted some of the vinyl (on the inward facing side) with nail polish. It gives it the coolest effect. (I’ll have to be careful about quilting those sections lightly though. I’m a little worried if you can needle through nail polish.)

Leisa's in process #3

And this is a detail shot — you can see the wandering embroidery lines a little bit better here.Leisa's in process #3 detail

 

It’s interesting to see the unintended forms that come out of this process. I love where this one is going. I’m going to quilt it and then let Leisa have another crack at it — she is thinking about adding handwork after the quilting.

I have finished the binding on #2 — and I’m almost done with adding the sleeve. I do think I’ll have to add another one though. It’s not straight across at the top so figuring out how to sleeve this one has been a challenge. I added a short sleeve at the very top where it is straight — I think I’ll have to add another one lower down on the other side. I couldn’t work it into the binding edge thought because it isn’t straight.

And then I need to bind and sleeve #1, the first small one that we did. I’m having to use different techniques on these. For instance, I couldn’t pin baste #1 because of the vinyl — I had to spray baste. I’ll have to do the same with #3. #1 also has a lot of vinyl on it around the edges — so it occurs to me that can’t use my usual water soluble glue trick to help me bind the edges (which thankfully are at least straight on this one).

And because of this issue, I realized that I probably shouldn’t use my usual blocking technique on these — particularly the ones with vinyl. If I soak them in water, the vinyl may inhibit evaporation and could lead to molding — a distinct possibility as I live in the Deep South — so I’m going to forego that as well. I haven’t had a waviness problem on any of them — yet — but if it becomes an issue, I’ll block them with spritzes of water — not a full soaking.

I need to make myself stop. It’s September and I would like to have a piece to enter in the Outwin Boochever Portrait Competition sponsored by the National Portrait Gallery. I need to start photographing inspiration for that one. I entered a few years ago and wasn’t juried in so I just assumed that it was a bias against alternative mediums. Completely untrue. Be careful not to create obstacles for yourself that don’t exist. Last year, the People’s Choice award winner was a sculpture made from rice, rice noodles, and glue by Saeri Kiritani — and there was a fiber finalist — Lia Cook. I can’t be accepted if I don’t enter. You can see last year’s winners here.

Tweek!

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twitter.jpgI did not post a Tweek last Sunday — I had had a long day entertaining and then spent three hours painting my daughter’s room. I was just too tired — so this post covers the last two weeks.

What else have I been up to? It’s summertime and the living is easy. I am not quite up to my usual studio speed but I do have more time than I’ve had in previous years. I’ve found that my teenager sleeps all morning so if I can get myself in gear, I can pack a couple of hours in.

I have been expanding on my car wash series collaboration with Leisa Rich and set her up a couple of days ago as my first contributing author on the blog. We met earlier this week to discuss what to do with the first piece — but I admit I’ve already put my attention into another piece — a bigger one. I’m almost done with the drafting. Hopefully I’ll have some pictures up on the blog by next week.

These are my tweets for the last couple of weeks. If you would rather follow me in real time, I’m @vsgreaves. I have several social media icons in the upper right above the menu.

Although leasing work is probably not a good consideration for textile work (given its added limitations on exposure to direct light and its ability to absorb smells), I found this article about leasing artwork to be a great marketing idea for most artists.
Have You Considered Leasing Your Artwork? –

Wise words of Winkleman — he always has a pulse on the art world. As an MBA graduate, I was fascinated by his analysis of why the art market is an exception to many economic principles.
“Applying the Rules of all Markets to Art” Why economic principles don’t apply to the art market & unethical flipping

I found this court case to be disturbing. Although it is wonderful that there will be more books digitized for the blind, I find it unconscionable that a judge would take away the rights of the authors as to whether or not their work would be digitized (and thus its subsequent inevitable pirating).
“Digitized Books for Disabled Don’t Need Authors’ OK – Bloomberg” Good for disabled — bad for authors.

Another author making a case for doing work and not waiting for inspiration to strike.
“Don’t Waste Your Time on Inspiration”

It’s not often that I find a fiber artist highlighted on My Modern Met. Ana Teresa Barboza’s work is striking. I love the one of the fiber lion placing the drawn woman’s head in his mouth.
Inspiration: “Artist Uses Colorful Embroidery to Explore Natural Forms”
via

I don’t usually refer people to music videos, but this one certainly qualifies as performance art.
This is genius performance art — check out OK Go’s new music video:

I was fascinated by this article about Gauguin and that he often painted still lifes to bring home the bacon.
Even Gauguin needed to pay the bills. “Previously Unknown Gauguin Reveals a Lot About the Artist”

This is Leisa Rich’s article on my blog about our collaboration. I’ve added a feed from my blog to Twitter. It occurred to me that I routinely tweet articles that I’ve read, but I haven’t been tweeting about my own work. It’s ironic that my first syndicated post is not written by me.
Ruminations on Collaboration

Famed designer Massimo Vignelli who passed recently put forth the idea that all creatives need vision, courage, and determination to be successful.
“Massimo Vignelli: The 3 Traits of Great Creatives” Vision, courage, & determination.

Collaboration 1 -- full

Struggling with Abstract

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This week I met Leisa Rich at Abernathy Arts Center. We picked up our work from the Georgia Artists show that closed last week and spent about an hour talking about our abstract piece. She has added a bunch of stitching and it looks amazing.

Collaboration 1 -- full

I love the vinyl on the piece — it makes it look a lot like water. She took these pictures. I admit to having a problem photographing it. The vinyl is very reflective and cannot take direct light. But I was so pleased at the different life that it has now taken on.

These are detail pics.

Collaboration 1 -- detail1

Collaboration 1 -- detail2

Collaboration 1 -- detail3

 

I can’t get over how much its character has changed. I love it so much more than what I would have done with it.

She handed the piece back to me and we talked about what to do next with it. We’re considering making a larger but more realistic piece that this would fit into — but I’m having a problem working out value problems. There is so much huge contrast in this section that it’s difficult to resolve the focal point issue with the entire piece. Obviously the focal point should be the abstract. I’m still working out in my head how to accomplish that in light of this other idea.

And while I was waiting on Leisa to do her part last weekend, I started another abstract piece — a much larger one — and to be honest, I’m struggling. I can’t rely on my usual practice of logic to determine where colors go. I usually have no problems turning my value studies into colors — but that system doesn’t work very well here. It was an issue with the small piece, but I was able to work around it. It’s harder to do in a piece 45″ wide.

I’m telling myself that there are no wrong answers. It can be whatever I want it to be.

Right now I’m marking all of the sections on my pattern with colors. I’ll hopefully finish that later today so I can move on to picking fabrics. Maybe I’ll even come up with an excuse to take a trip to Red Hen!

And let’s face it — it’s summer. There are numerous distractions to take me from something that isn’t holding my attention very well. Even in art we have to slog through difficult tasks sometimes.

One last thing — Leisa has asked if she can be a guest writer on this blog to which I happily agreed. Given that our work is a collaboration, I definitely think that her point of view should be shown as well. I’m looking forward to having her contribution.

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