Posts tagged textile art

Houston Festival part 2

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After the Winner’s Circle, you can be certain that I hardly slept. I went to the hotel bar (perfect spot for a party of one), had some soup, and then went back to my room to try to sleep.

TWEET: Victoria Findlay Wolfe took this just before I walked on stage last night. #quiltfestival

stage

I wish I had a pic of me on the stage. There was a photographer there but I have no idea who he was working for. Anyway, I’m very grateful to Victoria for taking this.

The next day I had a leisurely morning and basically waited for lunch time.

TWEET: Luncheon!

luncheon

I was so pleased that my new friend Karen sent me a message asking if I wanted to join her for lunch. We met at the door and sat at a table with several of the winners from Japan. They didn’t speak very good English but they were incredibly kind and friendly.

TWEET: Takido Fusako on the left game me a hand sewn flower that is beautiful!

Japanese winners

The woman on the left, Takido Fusako (her piece Crest of Tulip won a Judge’s Choice award), gave me a hand sewn pin (which looked awesome on my black jacket). The woman on the right, Sachiko Chiba, gave me an autographed print of her beautiful quilt My Hope that won 3rd place in Hand Quilting.

TWEET: Flower that Takido Fusako gave me. #quiltfestival

flowerpin

On the stage, all of the top winners ate lunch and then spoke about their piece. The first speaker was Best of Show winner Melissa Sobotka.

TWEET: Melissa Sobotka winner of best of show Chihuly’s Gondola. It’s truly stunning.

BOS_Sobotka

bos_chihuly

TWEET: Melissa — “pay attention to the judge or blow them off” — love it!

She had shown this quilt at another venue and one of the judges told her that there was a problem with the binding. Melissa’s point is that you either take their opinion or don’t worry about it. She did ultimately choose to take off the binding and re-apply another one before sending it off to Houston for judging.

TWEET: Vicki Anderson owes 18 sewing machines! Her speech on Getting Published.

Thompson

TWEET: #judimadsen mentioned in her speech – on how to make a beautifully quilted quilt.

I’m Facebook friends with Judi and I follow her beautiful machine quilting so I was excited that Vicki showed her work and gave it its proper praise.

After the luncheon, there were a couple — just a couple —  of vendor tables outside. I loved these fabric cakes. It reminded me of the felted teacup I made a few years ago.

TWEET: Too cute!

cupcakes

TWEET: I bought this year’ spin & they gave me freebies for 2004, 2007, & 2012. The one on the top left is this year’s pin.

pins

It was strange walking back to my room, seeing quilters that are famous quilters.

TWEET: I feel like such a stalker. I know their names, I follow them on FB but I can’t bring myself to introduce myself.

I went back to my room and took pics of the Convention Center from there. It is such a large building, I couldn’t even get half of it in a frame.

Convention2

With time to spare before Preview Night at 5pm, I spent some time in the gym. This is the view from the west tower of the Hilton.

Convention

TWEET: Technology is so cool. Delta emailed me a check-in, they txt’d a link to my boarding pass, & I saved it in Passbook for tomorrow.

This is my first time to be completely dependent on my smart phone to check in. I’ll never print another boarding pass.

I had planned on putting everything in one post from this one day in Houston — but this post is growing by the minute. I think I’m going to split the rest of it into another post. So look for a part 3 in a couple of days.

Houston Festival part 1

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TWEET: While I’m in Houston, I’m sending my tweets to my personal FB & my FB Page. I apologize for double tweets but want everyone to see the pics!

This is how I started my exciting 48 hour adventure to the Houston Quilt Festival. I wanted to share it with as many as my friends as possible. I was so excited and nervous about going, I accomplished practically nothing in the last couple of weeks leading up to the show other than packing my suitcase.

I went alone. I haven’t traveled alone since I was much younger and I looked at it as a grand adventure.

TWEET: Checked into Hilton Americas — isn’t the Chihuly glass chandelier amazing?

chihuly

It’s impossible to mistake a Chihuly. There are two of them like this at Hilton Americas. I was lucky to find a room in the Hilton — it’s connected by a walkway to the Convention Center — something greatly appreciated by me when it poured rain on Wednesday and Thursday.

TWEET: Walked down bad streets to find this amazing place — District 7 Grill.

district7

But this Tuesday, the skies were clear. I checked into the Hilton. I was starving — it was so late — but I was determined to be more original than eating in the hotel. I turned on my iPhone & looked for a restaurant nearby with at least a 90% approval rating. The closest one was District 7 Grill. I crossed the street to the convention center and made a left — which unhappily took me in the wrong direction. I ended up walking completely around the convention center — which is huge and covers probably 4 or more city blocks. I had to be careful about the streets I walked down and stick to ones with cars on them. I eventually found this haven of wonderful food. I had someone tell me it was in China Town. It was certainly a place that the locals go.

TWEET: Did I mention — no calorie counting on this trip?

Lunch

I know it’s cliche’ to have a picture of my plate — but I couldn’t help it. It was 2:30 my time & I hadn’t eaten since 6am. This is a grilled veggie pizza on naan bread with feta cheese & pecans. I ate the entire thing. No regrets.

TWEET: An hour until I get ready. Decided I can’t eat dinner before I go — too nervous. Next tweet — Winners Circle.

I ate so late though that I wasn’t hungry later. Mix that with the excitement of getting ready for the Winners Circle — and the most I could get down was a banana. At least I was able to find some fruit downstairs in the lobby.

TWEET: The infamous Paula Nadelstern carpet.

rug

Many quilters know the story of Paula Nadelstern, a quilter famous for her kaleidoscopes, showing up one year, looking down, and seeing her designs on the rug leading from the hotel to the convention center in the walkway. She successfully sued them for copyright infringement.

TWEET: I’ve seen Charlotte Warr Andersen & Jamie Fingal in the halls — rock stars in the quilt world.

I kept passing people that I know — but I don’t know. It was very surreal. Although non-quilters won’t necessarily know these people, I’ve seen their work & followed them for years — some of them I’ve even spoken with on Facebook. And yet I couldn’t bring myself to say something to them. I suppose a part of me thinks that famous people should be allowed their privacy.

TWEET: I’m here!

winners

I finally found the correct ballroom. There are signs every 100 feet for a ballroom down the length of the convention center — none of them marked anything other than “ballroom”.

Karey Bresenhan

This is Karey Bresenhan speaking at the beginning. She is the the nexus of the entire International Market and Festival. She is the founder and without her, none of us would be there.

TWEET: Ran into my friend Denny Webster & her friend Marilyn Wall! I took pic with my camera so I’ll blog those later in the week.

Marilyn Wall & Denny Webster

Me with Marilyn & Denny

I was standing by myself in line waiting to go in to the ballroom when I spotted my friend Denny Webster! She used to live here in Atlanta but moved a few months ago to North Carolina. She was there with Marilyn Wall who I was delighted to meet.

TWEET: I’m in my red Vera Wang — I’m overdressed.

I did feel overdressed — although later I was glad that I had chosen it. There was a full range of dress code — from jeans to full kimonos.

TWEET: I’m really close to Sharon Schamber — too strange!

She was sitting in the front row. I’ve followed her work for years. I follow her techniques for my bindings. I have my pressing board built like hers. Thank goodness for YouTube — I’ve never met her in person though. She’s petite like me.

TWEET: Bonnie McCaffrey is videoing at the front & Luana Rubin is sitting next to her.

Again, two people who I find interesting and follow. Bonnie was videoing the ceremony from the 2nd row and Luana was seated next to her.

TWEET: My heart just stopped! Did you hear it? 1st place in Art-People.

That was a moment to remember. They called 3rd place — so I thought — oh good! 2nd place! And then they called 2nd place — and I knew. I whispered “I think my heart just stopped.” I certainly stopped breathing.

stage

I wish I had a picture of me on stage. I managed to get this picture from Victoria Findlay Wolfe.

TWEET: Fairfield Mastery Contemporary Artistry to Noriko Nozawa — gorgeous!

MastArtistry

I took this pic the next day but it came out better than the ones I took the previous night. I found this quilt (Photographer Darling) worth studying. The background is quilted with a grid of black thread on white (mostly) — the postcards are black thread-work on white — and the image of the photographer is cross stitch! I did wonder how she managed to keep this piece flat — given the change in thread layers across the piece, it had to be challenging.

TWEET: Babylock master award for innovative artistry — Jane Sassaman!

International Quilt Festival 2013

This is also a pic from the next day (Illinois Album). It has a black border that is difficult to see because of the black hanging background. The design is phenomenal, but what struck me as surprising is that the white background is not a typical cotton fabric — it’s an embroidered white, probably not cotton. She also used a lot of embroidery stitches from her machine. These are not details that affect the overall design but they are interesting details for close inspection.

TWEET: Superior Award for Thread Artistry — Masanobu Miyama! (He’s a man!)

MastThread

The majority of quilters are women so I’m always struck by a man that’s a quilter. He was the only man in the top winners. This piece (Wind) is very small. He painted the fabric with Tsukineko dyes, fused all the pieces down, and then heavily thread painted it. His wife was there and also had a piece in the show. They were from Japan. (30% or so of the winners were from Japan.)

TWEET: Pfaff Award for machine artistry — Shirley Gisi!

I didn’t get a great picture of this — but you can see it on the IQA Winners page here. It’s an abstract piece that effectively uses gradation fabrics to create 3D effects. Very clever.

TWEET: eQuilter award for WOB — Christine Alexiou — love this one!

Christine Alexiou

Christine Alexiou

This piece is called Septum Peccata Mortalia (Seven Deadly Sins). It opens like a book and has several pages.

That night, I was sitting next to Karen Ponischil (who won an Honorable Mention) and Christine on the other side. We shared our joy of the evening together and ended up meeting the next day to spend time together. My experience in Houston wouldn’t have been the same without them.

karen_me

TWEET: Founder’s Award – Karen Seivert & a 2nd one to Margo Hardie!

I was confused here. Karen Seivert won a Founder’s Honorable Mention. Then Margo Hardie and Janet Stone both won Founder’s Awards.

TWEET: Another one to Janet Stone!

TWEET: Best Of Show — $10,000 award — wait for it ………

TWEET: Best of Show — Melissa Sobotka — stunning!!!

bos

Melissa Sobotka

I don’t know that she could have found a better dress to stand beside her piece.

TWEET: Will get a better pic soon!

bos_chihuly

This, of course, is my better pic. It looks like a painting — or a photograph. It is raw edge  with commercially bought batiks. I was stunned that raw edge  has gained such acceptance. I hazard to guess that this is the 1st raw edge  that has won Best of Show in Houston. And when I saw raw edge — I mean that there is no appliqué stitch — only tight quilting. I saw this on many pieces at Houston — raw edge but tight quilting or thread painting. It’s making me wonder if I should continue to spend so many hours covering my edges with appliqué stitches.

TWEET: I stood by my quilt for an hour — wow!! Everyone was so nice!!

me&Linc

I’m so glad that my new friend Karen insisted on taking my pic as I didn’t get one with me later the next day when Lincoln had it’s blue ribbon next to it.

International Quilt Festival 2013: Winner's Circle

And the money shot. This is also Karen — I don’t know what I would have done without her.

TWEET: I took a bunch of pics that I’ll post on my blog when I get home.

And so I’ve incorporated them here — both my tweeted pictures and the ones on my phone.

And finally — I couldn’t ignore the coolest shoes in the room. These were Philappa Naylor’s boots. She won first place for Scarlett’s Crimson in the Wearable Art category. She does beautiful quilts usually around a medallion so I was surprised to see her in the Wearable Art category — but I understand that it can be thrilling to step outside your comfort zone. Even better to do it and succeed at such a high level.

coolest shoes

I had a blast. Although I didn’t get to stay very long, it was incredibly fun.

Part 2 will come tomorrow and I’ll show pics from my second day in Houston.

Happy Friday

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Amelia Earhart

I just found out that Amelia Earhart has won 1st place in the open division, original design realistic pictorial wall category at the La Conner International Quilt & Fiber Arts Festival. Life has been full of blessings lately. I wish I could see the exhibit but it’s on the opposite coast from me. Hopefully some kind soul will take a pic and send me a copy.

It will hang in the extended exhibit through December at the La Conner Quilt & Textile Museum in La Conner, WA.

Going to Houston

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I have been working away here on my Golden Retriever. This is what she looked like before appliqué and quilting. I have since completed appliquing her and just finished pinning her this morning in preparation for quilting.

Golden before appliqué I bought several backgrounds before I settled on this batik. I didn’t want anything busy to distract from the Golden — so piecing a background was out. I also had decided to stick with analogous colors on the color wheel — so I knew yellow green was the correct color choice. The first piece I bought was a lime green that I thought would be perfect, but the minute I brought it into my studio, I knew it was wrong. I also bought a yellow green with some gray in it — which worked, but it didn’t make the Golden sing. It was just too flat. There was a batik at the store I had decided wouldn’t work because it had too much yellow in it — but at home, looking at my other choices, I knew it would work — and it does. Sometimes you have to move out of your own way.

I have also had some exciting news — I’ve been given the honor of being invited into the Winner’s Circle at the International Quilt Festival in Houston this year for my piece Lincoln. I’ve never even been to the show before — but I’ve made my reservations and I’m looking forward to meeting other artists I’ve only met on the internet and feeling honored to be in their presence. When I find out my prize at the end of October, I’ll be sure to share.

Golden

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As I’ve mentioned before, I was lucky enough to have two pieces in the recent Sacred Threads show in Herndon, VA — Beach Guardians and The Bowl Judgments. It’s a biannual show and I haven’t participated in about four years — so I was delighted to find that the show published a book with all of the pieces from the show. Not having the ability to see the show in person, it gave me the chance to enjoy the exhibit from home and read all of the artist’s statements with time to study them alongside the work. You can order a copy of the book here.

Sacred Threads book

Then a couple of weeks ago, I received a manila envelope in the mail. Inside was this new copy of Machine Quilting Unlimited and nothing else. I don’t have a subscription (although I might have to get one now — it’s really well done) — so I was confused until I saw the little strip at the top that said “Sacred Threads 2013.” I flipped to the article for the exhibit — and Beach Guardians was one of the highlighted pieces.

I was really stunned. I have never had my work included in a magazine before. I felt like I had reached a milestone. My 15 minutes anyway.

Machine Quilting magazine

I have not been writing much on the blog lately. Part of me thinks that to have a blog, you need to write at least weekly. Another part of me really despises blog writers that fall off subject or write about nothing just to get a post out. I try to prepare something interesting and present it in a large enough piece that you can see progress. If I just showed you one day at a time, the blog would show everything in reverse order and it wouldn’t be nearly as interesting — to me anyway.

Once I had the girls back in school in August, I started thinking about my next piece. I really had no idea what I wanted to do. I started sifting through pics I took in the Spring and came across one that I really liked of a golden retriever. She is looking over her shoulder at her owner and has such a look of love in her eyes. If I found it captivating, maybe someone else would too.

I spent about a week drafting her. I typically bring the pic into Photoshop and reduce it to values only, adding lines of separation between differing objects — like the dog from her harness — or even her eyes and her nose from her fur. Then I spend a lot of time drawing in Photoshop using my Wacom tablet pen. Not only do I clean up the light scatter, I deepen shadows, add shadows to create definition, redraw the eyes, and simplify shapes.

From there, I continue the drafting process by pulling the final pattern into PosteRazor as a BMP file & scaling it to what I wanted. In this program, I can then tile print. Then I take the puzzle pieces, cut off the margins, and tape it back together. Now my pattern is back together — but larger.

Then I outline everything with an ultra thin black Sharpie. It bleeds through to the back giving me the reverse image that I’ll need for WonderUnder templates. I’ll have to go back & re-draw the lines on paper overlap — but it’s otherwise done. And FINALLY, I place a layer of see-through vinyl over the top of the pattern, tape it down, and trace it. I can then sew the vinyl to a piece of muslin (using a teflon foot that won’t stick) to use as my guide when I fuse the pieces down — or I can work on a very large fusing sheet and tape the vinyl pattern over that.

This is the beginning  showing the first & second value. The first value is almost impossible to see as it’s white like the muslin background.

Value 1 & 2

The third value gives you a better idea of the face.

Value 3

The fourth value shows the outline of the entire dog.

Value 4

The fifth value begins to give shadows and therefore definition to shapes.

Value 5

The sixth value goes into an orange. There is only so far you can go with yellow — even cream. The color that shows for this value will depend largely on what is placed next to it. In the pic, it looks a lot more orange than it actually is.

Value 6

The seventh value gives more depth and tones down the orange.

Value 7

I debated having an eighth value — I though about just making it black — but between yellow and orange, I had room to move into a dark brown cinnamon. There isn’t a lot of it anyway.

Value 8

Now the eyes. The pic normally gives me useless information here. I’ve found it best to draw them myself. The pupils are wide — and the irises are brown but has more gray in it than the brown tones in her fur. The outline of her eyes is black. You have to have a deep contrast here to feel the depth of the eye and most dogs can easily take the rich black for that function.

Eyes

The nose is an experiment — although I’m leaning towards keeping it. You would think that all the fur around the mouth would match her other fur — but it doesn’t. It’s shades of back and gray.

Nose

Seeing a full picture of her, I think the nose makes sense. The gray and the black have to work together to give the impression of a snout — which I think they do.

The open patches around her shoulder are for a harness — which I’ll work on today.

Without Harness

I ripped off the orange under her left eye — I found it distracting.

I’m not sure about the light gray at the bottom of the mouth — I’m still considering it.

I made the entire piece without extra around the edges — which I should have done since I put her right on the muslin. Making her this way, I should have fused her to a fusing sheet where I could detach her & place her on a background. I wasn’t thinking through it — I was too excited to get to my favorite part — the cutting! I love the meditative process of fusing the shapes, cutting them out, and layering them until I start to see recognizable shapes.

I’ll have to think around what to do to correct this.

Just the Basics

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My mother is an impressionist oil painter, and when I was young and she went back to college to receive another degree in art, I remember her talking about the bias against realism in the art world. Abstract work was more highly valued — and for a very long time, I’ve disagreed with that opinion. I do like some abstract work, but I tend to be more engaged with realistic work. In fact, I’ve always felt that realism was harder to achieve than many pieces I’ve seen. That’s a huge generalization obviously — but I thought that abstract art was more about serendipitous exploration than intentional exploration.

At this point, I realize that that isn’t true — at least it isn’t true of good abstract art. It’s based on a deep understanding of color theory and how to make it work for you. I also understand why some consider it more difficult than realism. With realism, you have a point of reference from which to work. (It may not be a good point of reference, but that’s a different issue.) With abstract work, you are working entirely with theories and attempting to turn them into something engaging.

I have respect for both points of view. I work primarily in realism because that is what I like to do — but occasionally, I challenge myself to do something different — and that is what I have started here. As part of my art group’s annual exhibit, we were given playing cards to interpret. I had all ready made Jacks Are Wild — but I was given another card that I thought I could play with in a more abstract way — the six of Diamonds.

Using my color wheel, I chose six colors — starting with cyan — and then every other color around the wheel: blue, magenta, red, yellow, and green. I then picked out a light and a dark in each of these colors. Below are six 6 1/2″ squares of the dark. I know the yellow screams a little. It has a tight black pattern on it. It will make more sense when it is seen smaller and in the context of the entire piece.

abstract1

Then I made six diamonds from the light values and placed them on opposite sides of the color wheel — for example, the blue background got the yellow diamond.

abstract2

Of course, at this point, I know I have to make the piece longer. The challenge requires it to be 36″ long, so I decide to add squares in the light values.

abstract3

They look awful blank so I decide to add a common shape — a circle — in the dark values — to place on the light colored squares. I used a round container I had in the studio for a template. It was just the right size to fill the space in the squares I had cut.

I am, by the way, appliqueing all of these shapes. I had considered piecing the diamonds onto their backgrounds — but I wasn’t going to attempt to piece a circle — so I decided I would stick with machine appliqué. This is a Wonder Under template you see below.

abstract4

I have two rows of blocks. This is how they were originally laid out on the design wall, but I decided it was too predictable. I left diamonds next to diamonds and circles next to circles, but I changed the color placements so that each color wasn’t clustered with its cousins.

abstract5

This was very straightforward playing with color theory. Below you can see the two strips of shapes. Not exciting enough on its own though.

I turned to my old pal deconstruction for the next part. I made a background with black, white, and a couple of grays.

abstract6

Then I cut the strips of shapes into 1/2″ sections and fused them onto the background.

abstract7

I’m still working on the appliqué. Even though it’s just shapes and color, does it sing? I definitely think it has a sense of movement.

I don’t know that I’ll ever work exclusively in abstract, but it’s good to dust off my skills and try something new once in a while.

Jacks Are Wild

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I am currently working on a piece for an invitational show — my third animal portrait in a row. It’s not that I’m done making portraits of people, but I’m acknowledging the marketability of an animal piece over one of a specific person. People typically see one of my portraits and say “I’d love to have you make one of my grandchildren” — which is great, but moving people from the inspiration of a commission to the commitment of one is much more difficult than them finding inspiration in a piece you’ve already made and then committing to buying it. I’ve found that if I make a piece centered around a particular breed, everyone that has had that breed as a pet can see their cute little snuggly in it.

What I’m considering here is an antelope jackrabbit. This is a very large and muscular rabbit with huge ears. This pic shows the highlights — the beginning.

I’m using my new large pressing sheet — but it still wasn’t big enough to capture the tip of the ear — so I have taped my old pressing sheet behind it to catch the space at the top.

Jack value 1

This pic shows the second value.

Jack value 2 & 3

This shows the third value.

Once I cut the pieces small, I realized there wasn’t as much contrast between the second and third values as I saw in the comparison of larger pieces of fabric — but that’s ok. It happens sometimes. There isn’t enough of two or three to matter much.

Jack value 4

The fourth value definitely shows the creature emerging.

Jack value 4

The fifth value is a fun brown I found with creatures leaping across it — rabbits as well as deer. It’s a fun detail for someone that looks close enough to find it.

Jack value 6

Then I finished with the sixth value of brown and then black. I completed him with an orange eyeball. This is him on my black design wall. I brightened up the pic so you could see the prints better.

Jack value 6 & 7

He looks at home there.

Jack on design wall

Tomorrow I’ll start thinking about where he’s going to live.

 

2013 Georgia Artists Reception

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Last Friday was the Georgia Artists reception at the Abernathy Arts Center in Sandy Springs. I was excited to go. This is my 3rd year to be included in this exhibit and it’s always a great way to meet other Atlanta artists.

So this year, I prepared myself. I designed business cards & had them rush printed. I even went so far as to buy a new dress — something I never do. I came prepared as the professional artist.

I’m still glad that I did that — I should always do that — but this year was different. The artists didn’t mingle. I didn’t have the opportunity to meet one other artist other than the one that I already knew — and I pushed my card on her so I could at least have given one away. In retrospect, we didn’t have name tags like we have in previous years. Maybe that made the difference. Also, there was only one artist in the show that had been included previously. I wonder what damage the economy has inflicted on its community of artists.

Lincoln was beautifully hung. I always love to see my work hanging in a professional gallery.

Lincoln

This is me with my Lincoln.

Lincoln & me

And this is SPLAT! created by Leisa Rich. I’ve known her for a few years although we have mostly conversed on Facebook. I was blown away by this piece. It looks more like sculpture than fiber given the way it undulates from the wall. It’s mostly stitching on a vinyl material but there are holes filled with what I think is fine silk.

SPLAT!

SPLAT! by Leisa Rich

And here is Leisa with an Honorable Mention! Well deserved. Probably my favorite piece in the show.

SPLAT! with Leisa Rich

SPLAT! with creator Leisa Rich

 

The White Raven

Completing the Raven

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The White RavenI have finally completed The White Raven. The bird was wonderful — the Tower of London was tedious — but I think in the end that it all came together. It’s ironic that I now have such a creative flow while constructing portraits and my more difficult moments are in the backgrounds.

I used a stacking type of stitch while quilting the raven to give the impression of feathers — it was interesting to see how the white thread changed the character of the darker fabric shades. I am becoming completely reliant on Isacord thread for free motion quilting. I can run my machine at a high speed and the thread is less likely to shred. It’s also available in a huge selection of colors. A thread run before I start quilting is almost a must for me at this point.

The Tower was not as much continuous line quilting as I would have liked. There was a lot of stopping and starting — so it took much longer to do — but hopefully I’ve created the impression of the Tower in a minimalist way. I still wanted the focus to be on the raven.

The background was also difficult because of the Tower peaks. I started in the middle between two towers and echo stitched a wavy line upwards — but once I reached the top, I attempted to echo stitch back down between another set of towers. Any quilter knows that you have to quilt from the inside out — especially if you’re quilting densely. By quilting from a less dense to a more dense area, I created some ripples that could only be resolved by ripping out all of my quilting and starting over in the correct direction — from the more dense outwards to the less dense area.

The White Raven detailAt the end, after I had washed it, blocked it, and added the label, I went back and added more quilting in the raven’s eye. It’s the focus of the piece and it did not have enough quilting relative to what was around it. I didn’t want it to sag over time.

The raven isn’t exactly like the original — I had to take liberties with the beak especially — but I think it is definitely reminiscent of the pictures of Mike Yip. His photographs of the white ravens in the Vancouver Islands are really wonderful.

Adding the Tower of London gave the piece whimsy — a story — which I think adds to the visual interest of the piece.

New Exhibitions

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I have been blessed with several exhibition opportunities lately that I wanted to share.

Bukonyan Elder

 

Bukonyan Elder was chosen as one of two pieces to represent my Fiber Art Fusion group in our sister organization Southeast Fiber Arts Alliance show Fiber ARTlanta. The opening reception will be May 3rd at the Unitarian Universalist Congregation of Atlanta 6:30 – 8:30pm. The show will run through May 27th.

 

 

Lincoln

 

Lincoln has been juried into the Georgia Artist exhibit opening at the Abernathy Arts Center in Sandy Springs, GA also on May 3rd 6:30 – 8:30pm. The show will run through June 14.

 

 

 

The BowlJudgments smbeachguardians_sm

 

Both The Bowl Judgments & Beach Guardians have been juried into Sacred Threads 2013. Show dates are July 10 – 28 at Floris United Methodist Church in Herndon, VA. The artists reception is July 13 1 – 4 pm.

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