twitter.jpgMy youngest daughter went on a school trip to DC this last week with her dad as a chaperone — so it was just me and DD1. At her age, she doesn’t always acknowledge my existence so I spent a lot of extra time in the studio — almost twice as much as in a normal week. On my current piece, I’ve cut out everything but the roof — and after that, I’ll start sewing everything down in sections. I’ll write about it here on the blog so look for an update soon.

This is my weekly Twitter update about articles I found interesting during this past week. If you want to follow me in real time, you can find me @vsgreaves or hit the Twitter icon in the upper right hand corner above the menu. The FaceBook icon next to it takes you to my professional Page — I update pics on there a few times a week.

As part of the ongoing discussion about how a small elite set of investors churn the work of a small elite group of artists to increase the size of their investment portfolios, this article focuses on the fortunes of Oscar Murillo, a young 28 year old in the elite artist group. The concern is whether his early fame will lead to an early burn-out of interest in his work. Will his work endure or is it merely “trendy and derivative”?
Too much too fast — just let the artist be the artist. But is fame bad?  @nytimesarts

Self identifying as an artist makes a difference. Interestingly, I sometimes do — sometimes don’t. It depends on the form and my current mood. The study covered in this article finds that a lot of artists don’t self identify as an artist.
“What Makes an Artist an Artist?” Sometimes I self-identify as an artist — sometimes I don’t. 

Since the majority of artists don’t make anywhere near where the upper elite artist group does, it makes sense that they typically come from wealthy parents — not because they’re being funded by them but that they have different opinions about fulfillment and how it relates to money. (I did still find it depressing that Creatives typically make so little compared to everyone else. It’s a sad statement on our culture that it’s so undervalued.)
“How Wealthy Are Artists’ Parents?” Identifying as a prof artist enters you in an elite status group. Who knew? 

All Creatives need help working through artistic blocks from time to time.
“Artists Offer Their Escapes from Creative Block” Hoffman: “work every day like the manual laborer that I am” 

So many businesses look at traditional metrics in hiring decisions. It’s nice to see at least one company that is assessing the success of candidates based on soft skills — learning ability, emergent leadership, humility, and ownership — and at the bottom of the list, expertise.
“How to Get a Job at Google” The importance of soft skills – Why can’t Google be headquartered in ATL? 

If we can figure out what the market wants to buy, should we change what we create — or at least reach a compromise?
“Thinking About Art Practice and the Role of Compromise” I’m not the only one asking what Is sellable. 

The LA Times looks at the recently published TEFAF Art Market Report issued by the European Fine Arts Foundation. The news is sobering.
RT @abstanfield Report: Super-rich, favoring just a few artists, drive art market,0,6445724.story … <worth a read