I’ve been hard at work in my studio since my last post, pouring the creative spirit out of me and into my work. And I’ve surprised myself.

If you remember, I had finished the first horse, so I began cutting out the second horse, its companion. This shows the light values of the face.


And then the darker brown values.


And finally the darkest brown values.


Here is the horse head without all of the leather straps, bridle, and silver.


Then I added all of the leather parts around the face.


And finally the leather collar.


Once I added the silver, I put it up on the design wall for a quick picture.


At this point, I put it up next to the other horse to see how it would look. Wow. I loved it on the black, but I always do.

I considered for a while making a pieced background, but I finally decided that the horses themselves are so intricate, a pieced background would only create a distraction. I found a great smudged black that works well.

This is both of the horses appliquéd onto the background. The grays in the background black look lighter than they actually are — my camera phone is limited in its range and chose to highlight all of the silver. The final photographs after quilting will be difficult, but this piece may warrant my first trip to a professional photographer.


For those interested in the process, I abandoned my usual appliqué technique, which is a tight zigzag around all of the rough edges. Even a free-motion straight stitch around the edges as an appliqué technique was difficult as the pieces tried to pull off as I worked on it. The horses were large and complex, and Wonder Under can only hold so well. The silver, especially, didn’t want to adhere. It was always the first appliquéd for each of the horses.

And the end result is more artistic. I’m letting go of the restrictions of the quilt world and embracing the art side. The free motion stitch is much more like drawing on the piece. I still haven’t decided if I’ll add some tulle for added protection to the raw edges.

They each have their own personalities, and I’m surprised at what has crawled out of my brain.

And now I begin thinking about the quilting process. I have a hard time just pinning this on the wall by myself because it’s so large. I tried to take a local long-arm class at the beginning of the month but it was full. The next one is not until the first of December, and I don’t know that I want to wait, but I’m also uncertain about tackling this bear of a piece on my local machine. I do happen to have a Hinterberg frame that I bought years ago — it sits in pieces in the corner. I abandoned it when I realized that my Viking didn’t have enough harp space for me to use it on the frame. But I did get another 4.5 inches, I believe, in harp space when I upgraded to the Janome. It might be worth trying it.