Exhibition

Virgin Rules

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v_105_smFor those that don’t know, I’m against virgin rules in art shows. A virgin rule excludes any entry from consideration if it has been previously published — in a book, magazine, website, or blog — usually in any form, in part, in process, or whole.

The primary show that does this is Quilt National (QN)– a very prestigious show for art quilters that comes around every other year. I entered one year, and like the other 98% that entered, I was not included.

The rules seem sensible — until you start to break it down from the artist’s point of view. If you spend a month or more on a piece (not everyone does but many do) and you have a website and/or a blog — you are excluding those efforts from your audience. In my case, I share a lot of my work in process. It’s the heartbeat of my blog.

Another notable artist that I follow recently started having her husband guest blog as a beginning quilter — but now he’s almost taken over completely because apparently she’s working on something she can’t share. I didn’t start reading her blog to hear from someone else on a different subject — I started reading her blog to read what SHE had to say about a particular subject. As an avid reader, I feel a little cheated. I have not even been given an explanation.

I do know a quilter that has entered and exhibited at Quilt National who typically pumps out three pieces in the month just prior to the deadline. She is so prolific that you don’t notice a blip on her blog.

But then there is me. I take a while. Unless it’s very small, it’s going to take me at least a month, maybe two, to make one piece.

Golden Moment detail (sm)This has come to mind for a couple of reasons. First, I was gathering my entry to IQF: It’s Raining Cats & Dogs exhibit last week. I’ve been in this show the last two years. I made a piece earlier in the year for it — before the rules came out — and just as I was gathering my entry materials — there it was. A virgin rule. Obviously, I already have a page on my website for it — and I documented its creation on my blog — so it’s disqualified. So disheartening. I know that there are some other shows that will be happy to exhibit this piece — but this was a disappointment. Apparently, in the 3rd year of the life span of a special exhibit, IQF adds the virgin rule. Piffle.

There was discussion a year or so ago about IQF adding the virgin rule into the larger World of Beaty competition — I’ve been watching for it and have been delighted it hasn’t appeared.

The curators don’t want everyone to see the work before the show and I understand that. I argue, however, that seeing a piece in person is very different from seeing it in a 72dpi pic on a computer screen. They also should not discount the artistry in the curator that pulls together just the right pieces in just the right configuration to present a dynamic exhibit.

So it sounds as if I will never enter a virgin rule contest, right? I’ll be completely honest here — I’m thinking of changing my mind. I received an email notification for entries to QN a couple of days ago — and I’m considering entering. I am finishing up a piece and I need to start on a new idea. The QN carrot is tempting. It would be another milestone — or it could simply be another way to take the life blood out of my blog — a move not terribly justifiable if my chances of getting juried in are less than 2%.

The deadline is in September. I have the full month of May until the summer — and I don’t create much during that time — until school starts back in mid-August. I could give myself a deadline of one month — and then finish it up at the end of the summer. I think a month is probably the longest amount of time I would be willing to sacrifice from my blog.

Even if you get past the whole virgin rule argument — you have to then tackle the concept of innovation, a cornerstone of this show. What hasn’t been done? Well everything has been done — “innovation” is in the eye of the beholder.

It’s a little ironic — I used to be adamantly opposed to making pieces to fit the mold of a show. Now I’m trying to do exactly that — but to argue the other side, I’m also trying to stretch myself — do more than I would otherwise do on my own. Without a push, I might choose to make something comfortable.

Golden Moment

Acceptance

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Golden MomentI am thrilled to share that two of my pieces, Worry and Golden Moment, have been accepted into Georgia Artists to show at the Abernathy Arts Center in Sandy Springs, GA May 6 through June 13. There will be a reception Friday May 2nd 6:30-8:30pm.

This is a wonderful show. It’s local for me — so this is a rare occasion that I can actually attend the opening reception — but it’s also an art exhibit. This is my 4th year to be included. That first year, I contacted the curator to see if they would consider my work. She said they would and I could enter under the Mixed Media category. This year, for the first time, I was proud to see that they had added a Fiber Arts category.

Worry

I am also proud to say that I have pushed further into accepting myself. In my last post, I was fretting over my taxes — which I prepare myself. For years, I’ve reported my work under Hobby Income and Expenses. Well — that wasn’t working for me any more.

After talking to some accountants and friends, I realized that I needed to change. I am a professional artist. I have business cards, a business plan, a website, a blog, social media accounts, even weekly goals. I just needed to take this to the next level and tell the government that I am a professional artist. If I can make money at it, then I’ve achieved enough success that I should be recognized for that.

Onward and upward!

Houston Festival part 4

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There were so many quilts at Festival — I thought I had seen them all, but reading the blogs of other visitors, I realize how much I missed.

Obviously, I loved all of the art quilts. I’m not as interested in the traditional pieces — although I love to marvel over the handwork and stitching of Sharon Schamber’s work.

I did, by the way, really REALLY wanted to take pics of some of the exhibits — I had security guards follow me around since I had a camera in my hand — but other than the World of Beauty, most of the other ones had signs up declaring no pictures allowed. I loved SAQA’s portrait exhibit — which has made me think about re-joining.

These are the pictures of pieces that caught my eye. I have given attribution to each artist and a link to their website.

Sandy Curran‘s Jack

SandyCurran

Marilyn Belford‘s The Wrath of Poseidon

MarilynBelford

Jennifer Bowker‘s The Quiltmaker — I particularly love this piece — not just for the color — but for the teeth. Few people are willing to appliqué teeth — I love seeing how someone else would do it.

JenniferBowker

Jennifer Day‘s Boy and His Best Friend

JenniferDay

Barbara McKie‘s Caught in the Act — the use of trapunto in such a non-traditional way made this piece really come alive and feel dimensional.

BarbaraMcKie

Jan Reed‘s Ancient Echoes

JanReed

Jane Haworth‘s Brian the Basilisk

JaneHaworth

Honey, I Can’t Find My Earrings! by Maggie Stimson, Edith Harmer, Donna Parker, Diane May, Pat Durbin, Rosalinda Brainerd, and Gerry Smetzer — fantastic slice quilt!

MaggieStimson

A close up shot of Christine Alexiou‘s Septum Peccata Mortalia (Seven Deadly Sins).

7Deadly

Kathy York‘s Windows

KathyYork

David Taylor‘s Did You Wash Your Beak?

Taylor_didyou

The quilting on this was so fabulous I had to take a close-up shot.

David Taylor's Did You detail

David Taylor‘s Cock of the Walk

Taylor_rooster

I hate to say that this is the end — but it is. Houston was such a grand adventure and I loved every minute of it.

Houston Festival part 3

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To continue from my last post, at this point in my adventure, preview night is getting ready to start.

TWEET: Preview night starts in 15 minutes.

5 hours of marathon-ing for me. I had high hopes. I knew that I only had 5 hours to see all of the quilts and then see the vendors with what little strength I would have left. After walking around the convention center yesterday, I had convinced myself that tennis shoes, however practical they may be, were going to be my shoes of choice. I admit to vanity — after seeing a certain someone looking incredibly fashionable in leather pants and low heels — I just couldn’t do it. I came to regret that later. This is the view of the vendor area from a portal on the 2nd floor before the show opened.

vendors

TWEET: Line to get to escalator to go downstairs to exhibit hall. Waiting for it to open. Quilters are such polite and friendly people. This was probably most apparent in the line of people waiting to go down the escalator to get in the show.

lineforfestival

I took a lot of pictures of quilts at the show. Immediately as I started taking pictures, I could see myself being a hypocrite. For years, I’ve been concerned with people taking pictures of my work at shows and not giving attribution — or giving attribution but then putting their copyright image on the picture of my piece (which then gets pinned somewhere & causes confusion about copyright ownership) — or not putting the right permissions on something posted in FLICKR that allows anyone to print mouse pads with my images. I really need to just take a breath. I will show some pieces, I will give attribution, I will give links if possible, and if someone is uncomfortable with that, I will gladly delete the piece. First of all, I had another piece in the show — The White Raven.

whiteraven

There were many other birds in the show. I have to say that there were so many well done birds in the show, I may be done with birds. To say that the work was fantastic doesn’t quite cover it. This is Barb Forrister‘s Sunrise Serenade. I had to take this piece at a strange angle so there is some camera distortion — but the colors and the threadwork on this piece are inspiring. Barb really knows how to bring a peacock alive.

Barb Forrister

This is Ricky & Lucy by Nancy Sterett Martin and Karen Sistek. It’s painted silk. It is fabulous.

Ricky & Lucy

TWEET: My piece Firecracker next to Barbara Beasley’s Best Friend. I love hers. #quiltfestival

Firecracker

Remember my new friend Karen Ponischil?

Karen_me

This is her wonderful piece Princess Daphne that won an honorable mention in the Art-Miniature category. LOTS of thread painting to get that wonderfully furry effect.

Princess Daphne

I don’t want to forget to show you Christine Alexiou‘s piece Seven Deadly Sins one last time — so you can truly see that there were multiple pages in her fabric book.

Christine Alexiou

I had a great opportunity to spend some time speaking with Thelma Bearden. Her piece, Very Berries, won 2nd place in Art-Abstract, Small. She is also a painter and has a wonderful grasp of how to make color work for her. I don’t think that my camera does this piece justice.

thelmabearden

At the very end of the exhibit hall was the Healing Threads in Medicine exhibit, a group of quilts curated by the same people that curated Sacred Threads. I had two pieces in the Herndon, VA Sacred Threads exhibit but was unable to attend. They have since also traveled to the Sacred Threads-Omaha exhibit. It was wonderful to meet Lisa Ellis and Vicki Pignatelli and thank them for the wonderful opportunity to be included.

TWEET: Me with Lisa Ellis & Vicki Pignatelli.

Pignatelli_Ellis Pignatelli

At this point, I stopped and went back to my piece. Can you believe I only took this one shot of it with its blue ribbon? I didn’t even think about getting someone to take a pic of it with me and the ribbon.

Lincoln_ribbon

Then I went to dinner with my new friends at the other end of the exhibit hall. When we were done, I wandered through the vendor area. It was completely overwhelming. There was stuff everywhere. I should have bought things — but I didn’t. I bought one Pashmina scarf. All of the fabric was either a novelty or brights so nothing really interested me — but I think also that exhaustion was starting to overtake me. I really wanted to find the Superior Threads booth because I love their thread — and I did manage to find them — but by that point, I was done. I was completely exhausted. I had almost an hour left before preview night closed down, and I just couldn’t do anymore. I did love this booth — it was full of the most amazing dolls. These are the dragons.

TWEET: Amazing doll patterns!

Dolls - Dragons

On the way out, I took one last look at the section where Lincoln was. I thought about getting a good group shot of the White Raven — but I just couldn’t make myself go backwards. TWEET: I’m exhausted — can’t do any more. Crawling back to my room.

art_people

Thank goodness the convention center is attached to the hotel. It was so easy to get back to my room. This is what the convention center looked like from my room.

Houston_night1

And this is some of the skyline of Houston that night.

Houston_night2

I had a fabulous time — but I was ready to go home. This shot was taken very early the next morning outside the front of the Hilton while I waited on my shuttle. TWEET: Houston — I’ve had a blast — but I’m heading back home to my girls.

Hilton: early morning

One of the items in my winner’s envelope was a  long list of awards sponsors to whom I was asked to send thank you notes. I have to admit that my first reaction was one of trepidation, but upon further reflection, I realized the wonderful extended opportunity it offered. I went home and ordered postcards from Moo.com with Lincoln on the front. I am currently addressing them in preparation of sending them to all of the wonderful sponsors.

TWEET: I’ve ordered from MOO! Jealous? Get 10% off: http://www.moo.com/share/mctdkn  via @overheardatmoo

— It is now a week since I wrote this post. Unfortunately, server problems kept me from posting it.

I will have one last post on Houston — with the remaining pieces that I fell in love with.

Houston Festival part 2

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After the Winner’s Circle, you can be certain that I hardly slept. I went to the hotel bar (perfect spot for a party of one), had some soup, and then went back to my room to try to sleep.

TWEET: Victoria Findlay Wolfe took this just before I walked on stage last night. #quiltfestival

stage

I wish I had a pic of me on the stage. There was a photographer there but I have no idea who he was working for. Anyway, I’m very grateful to Victoria for taking this.

The next day I had a leisurely morning and basically waited for lunch time.

TWEET: Luncheon!

luncheon

I was so pleased that my new friend Karen sent me a message asking if I wanted to join her for lunch. We met at the door and sat at a table with several of the winners from Japan. They didn’t speak very good English but they were incredibly kind and friendly.

TWEET: Takido Fusako on the left game me a hand sewn flower that is beautiful!

Japanese winners

The woman on the left, Takido Fusako (her piece Crest of Tulip won a Judge’s Choice award), gave me a hand sewn pin (which looked awesome on my black jacket). The woman on the right, Sachiko Chiba, gave me an autographed print of her beautiful quilt My Hope that won 3rd place in Hand Quilting.

TWEET: Flower that Takido Fusako gave me. #quiltfestival

flowerpin

On the stage, all of the top winners ate lunch and then spoke about their piece. The first speaker was Best of Show winner Melissa Sobotka.

TWEET: Melissa Sobotka winner of best of show Chihuly’s Gondola. It’s truly stunning.

BOS_Sobotka

bos_chihuly

TWEET: Melissa — “pay attention to the judge or blow them off” — love it!

She had shown this quilt at another venue and one of the judges told her that there was a problem with the binding. Melissa’s point is that you either take their opinion or don’t worry about it. She did ultimately choose to take off the binding and re-apply another one before sending it off to Houston for judging.

TWEET: Vicki Anderson owes 18 sewing machines! Her speech on Getting Published.

Thompson

TWEET: #judimadsen mentioned in her speech – on how to make a beautifully quilted quilt.

I’m Facebook friends with Judi and I follow her beautiful machine quilting so I was excited that Vicki showed her work and gave it its proper praise.

After the luncheon, there were a couple — just a couple —  of vendor tables outside. I loved these fabric cakes. It reminded me of the felted teacup I made a few years ago.

TWEET: Too cute!

cupcakes

TWEET: I bought this year’ spin & they gave me freebies for 2004, 2007, & 2012. The one on the top left is this year’s pin.

pins

It was strange walking back to my room, seeing quilters that are famous quilters.

TWEET: I feel like such a stalker. I know their names, I follow them on FB but I can’t bring myself to introduce myself.

I went back to my room and took pics of the Convention Center from there. It is such a large building, I couldn’t even get half of it in a frame.

Convention2

With time to spare before Preview Night at 5pm, I spent some time in the gym. This is the view from the west tower of the Hilton.

Convention

TWEET: Technology is so cool. Delta emailed me a check-in, they txt’d a link to my boarding pass, & I saved it in Passbook for tomorrow.

This is my first time to be completely dependent on my smart phone to check in. I’ll never print another boarding pass.

I had planned on putting everything in one post from this one day in Houston — but this post is growing by the minute. I think I’m going to split the rest of it into another post. So look for a part 3 in a couple of days.

Houston Festival part 1

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TWEET: While I’m in Houston, I’m sending my tweets to my personal FB & my FB Page. I apologize for double tweets but want everyone to see the pics!

This is how I started my exciting 48 hour adventure to the Houston Quilt Festival. I wanted to share it with as many as my friends as possible. I was so excited and nervous about going, I accomplished practically nothing in the last couple of weeks leading up to the show other than packing my suitcase.

I went alone. I haven’t traveled alone since I was much younger and I looked at it as a grand adventure.

TWEET: Checked into Hilton Americas — isn’t the Chihuly glass chandelier amazing?

chihuly

It’s impossible to mistake a Chihuly. There are two of them like this at Hilton Americas. I was lucky to find a room in the Hilton — it’s connected by a walkway to the Convention Center — something greatly appreciated by me when it poured rain on Wednesday and Thursday.

TWEET: Walked down bad streets to find this amazing place — District 7 Grill.

district7

But this Tuesday, the skies were clear. I checked into the Hilton. I was starving — it was so late — but I was determined to be more original than eating in the hotel. I turned on my iPhone & looked for a restaurant nearby with at least a 90% approval rating. The closest one was District 7 Grill. I crossed the street to the convention center and made a left — which unhappily took me in the wrong direction. I ended up walking completely around the convention center — which is huge and covers probably 4 or more city blocks. I had to be careful about the streets I walked down and stick to ones with cars on them. I eventually found this haven of wonderful food. I had someone tell me it was in China Town. It was certainly a place that the locals go.

TWEET: Did I mention — no calorie counting on this trip?

Lunch

I know it’s cliche’ to have a picture of my plate — but I couldn’t help it. It was 2:30 my time & I hadn’t eaten since 6am. This is a grilled veggie pizza on naan bread with feta cheese & pecans. I ate the entire thing. No regrets.

TWEET: An hour until I get ready. Decided I can’t eat dinner before I go — too nervous. Next tweet — Winners Circle.

I ate so late though that I wasn’t hungry later. Mix that with the excitement of getting ready for the Winners Circle — and the most I could get down was a banana. At least I was able to find some fruit downstairs in the lobby.

TWEET: The infamous Paula Nadelstern carpet.

rug

Many quilters know the story of Paula Nadelstern, a quilter famous for her kaleidoscopes, showing up one year, looking down, and seeing her designs on the rug leading from the hotel to the convention center in the walkway. She successfully sued them for copyright infringement.

TWEET: I’ve seen Charlotte Warr Andersen & Jamie Fingal in the halls — rock stars in the quilt world.

I kept passing people that I know — but I don’t know. It was very surreal. Although non-quilters won’t necessarily know these people, I’ve seen their work & followed them for years — some of them I’ve even spoken with on Facebook. And yet I couldn’t bring myself to say something to them. I suppose a part of me thinks that famous people should be allowed their privacy.

TWEET: I’m here!

winners

I finally found the correct ballroom. There are signs every 100 feet for a ballroom down the length of the convention center — none of them marked anything other than “ballroom”.

Karey Bresenhan

This is Karey Bresenhan speaking at the beginning. She is the the nexus of the entire International Market and Festival. She is the founder and without her, none of us would be there.

TWEET: Ran into my friend Denny Webster & her friend Marilyn Wall! I took pic with my camera so I’ll blog those later in the week.

Marilyn Wall & Denny Webster

Me with Marilyn & Denny

I was standing by myself in line waiting to go in to the ballroom when I spotted my friend Denny Webster! She used to live here in Atlanta but moved a few months ago to North Carolina. She was there with Marilyn Wall who I was delighted to meet.

TWEET: I’m in my red Vera Wang — I’m overdressed.

I did feel overdressed — although later I was glad that I had chosen it. There was a full range of dress code — from jeans to full kimonos.

TWEET: I’m really close to Sharon Schamber — too strange!

She was sitting in the front row. I’ve followed her work for years. I follow her techniques for my bindings. I have my pressing board built like hers. Thank goodness for YouTube — I’ve never met her in person though. She’s petite like me.

TWEET: Bonnie McCaffrey is videoing at the front & Luana Rubin is sitting next to her.

Again, two people who I find interesting and follow. Bonnie was videoing the ceremony from the 2nd row and Luana was seated next to her.

TWEET: My heart just stopped! Did you hear it? 1st place in Art-People.

That was a moment to remember. They called 3rd place — so I thought — oh good! 2nd place! And then they called 2nd place — and I knew. I whispered “I think my heart just stopped.” I certainly stopped breathing.

stage

I wish I had a picture of me on stage. I managed to get this picture from Victoria Findlay Wolfe.

TWEET: Fairfield Mastery Contemporary Artistry to Noriko Nozawa — gorgeous!

MastArtistry

I took this pic the next day but it came out better than the ones I took the previous night. I found this quilt (Photographer Darling) worth studying. The background is quilted with a grid of black thread on white (mostly) — the postcards are black thread-work on white — and the image of the photographer is cross stitch! I did wonder how she managed to keep this piece flat — given the change in thread layers across the piece, it had to be challenging.

TWEET: Babylock master award for innovative artistry — Jane Sassaman!

International Quilt Festival 2013

This is also a pic from the next day (Illinois Album). It has a black border that is difficult to see because of the black hanging background. The design is phenomenal, but what struck me as surprising is that the white background is not a typical cotton fabric — it’s an embroidered white, probably not cotton. She also used a lot of embroidery stitches from her machine. These are not details that affect the overall design but they are interesting details for close inspection.

TWEET: Superior Award for Thread Artistry — Masanobu Miyama! (He’s a man!)

MastThread

The majority of quilters are women so I’m always struck by a man that’s a quilter. He was the only man in the top winners. This piece (Wind) is very small. He painted the fabric with Tsukineko dyes, fused all the pieces down, and then heavily thread painted it. His wife was there and also had a piece in the show. They were from Japan. (30% or so of the winners were from Japan.)

TWEET: Pfaff Award for machine artistry — Shirley Gisi!

I didn’t get a great picture of this — but you can see it on the IQA Winners page here. It’s an abstract piece that effectively uses gradation fabrics to create 3D effects. Very clever.

TWEET: eQuilter award for WOB — Christine Alexiou — love this one!

Christine Alexiou

Christine Alexiou

This piece is called Septum Peccata Mortalia (Seven Deadly Sins). It opens like a book and has several pages.

That night, I was sitting next to Karen Ponischil (who won an Honorable Mention) and Christine on the other side. We shared our joy of the evening together and ended up meeting the next day to spend time together. My experience in Houston wouldn’t have been the same without them.

karen_me

TWEET: Founder’s Award – Karen Seivert & a 2nd one to Margo Hardie!

I was confused here. Karen Seivert won a Founder’s Honorable Mention. Then Margo Hardie and Janet Stone both won Founder’s Awards.

TWEET: Another one to Janet Stone!

TWEET: Best Of Show — $10,000 award — wait for it ………

TWEET: Best of Show — Melissa Sobotka — stunning!!!

bos

Melissa Sobotka

I don’t know that she could have found a better dress to stand beside her piece.

TWEET: Will get a better pic soon!

bos_chihuly

This, of course, is my better pic. It looks like a painting — or a photograph. It is raw edge  with commercially bought batiks. I was stunned that raw edge  has gained such acceptance. I hazard to guess that this is the 1st raw edge  that has won Best of Show in Houston. And when I saw raw edge — I mean that there is no appliqué stitch — only tight quilting. I saw this on many pieces at Houston — raw edge but tight quilting or thread painting. It’s making me wonder if I should continue to spend so many hours covering my edges with appliqué stitches.

TWEET: I stood by my quilt for an hour — wow!! Everyone was so nice!!

me&Linc

I’m so glad that my new friend Karen insisted on taking my pic as I didn’t get one with me later the next day when Lincoln had it’s blue ribbon next to it.

International Quilt Festival 2013: Winner's Circle

And the money shot. This is also Karen — I don’t know what I would have done without her.

TWEET: I took a bunch of pics that I’ll post on my blog when I get home.

And so I’ve incorporated them here — both my tweeted pictures and the ones on my phone.

And finally — I couldn’t ignore the coolest shoes in the room. These were Philappa Naylor’s boots. She won first place for Scarlett’s Crimson in the Wearable Art category. She does beautiful quilts usually around a medallion so I was surprised to see her in the Wearable Art category — but I understand that it can be thrilling to step outside your comfort zone. Even better to do it and succeed at such a high level.

coolest shoes

I had a blast. Although I didn’t get to stay very long, it was incredibly fun.

Part 2 will come tomorrow and I’ll show pics from my second day in Houston.

Happy Friday

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Amelia Earhart

I just found out that Amelia Earhart has won 1st place in the open division, original design realistic pictorial wall category at the La Conner International Quilt & Fiber Arts Festival. Life has been full of blessings lately. I wish I could see the exhibit but it’s on the opposite coast from me. Hopefully some kind soul will take a pic and send me a copy.

It will hang in the extended exhibit through December at the La Conner Quilt & Textile Museum in La Conner, WA.

Going to Houston

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I have been working away here on my Golden Retriever. This is what she looked like before appliqué and quilting. I have since completed appliquing her and just finished pinning her this morning in preparation for quilting.

Golden before appliqué I bought several backgrounds before I settled on this batik. I didn’t want anything busy to distract from the Golden — so piecing a background was out. I also had decided to stick with analogous colors on the color wheel — so I knew yellow green was the correct color choice. The first piece I bought was a lime green that I thought would be perfect, but the minute I brought it into my studio, I knew it was wrong. I also bought a yellow green with some gray in it — which worked, but it didn’t make the Golden sing. It was just too flat. There was a batik at the store I had decided wouldn’t work because it had too much yellow in it — but at home, looking at my other choices, I knew it would work — and it does. Sometimes you have to move out of your own way.

I have also had some exciting news — I’ve been given the honor of being invited into the Winner’s Circle at the International Quilt Festival in Houston this year for my piece Lincoln. I’ve never even been to the show before — but I’ve made my reservations and I’m looking forward to meeting other artists I’ve only met on the internet and feeling honored to be in their presence. When I find out my prize at the end of October, I’ll be sure to share.

It’s All In The Cards 2013

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A couple of years ago, I started helping my friend Rebecca Reasons Edwards curate an annual show at The Art Place in Marietta, GA. This year’s show opened last Thursday night.

We asked the artists to make a piece 24″ x 36″ using a playing card as inspiration. Our artists came from the group Fiber Art Fusion and some invitational artists.

Curating is a funny thing. When a show isn’t juried, not all of the artists follow the rules — in fact, most of them don’t. Sadly, some artists hold the curators responsible. In the end, we had a responsibility to fill the gallery walls. Not everything fit the theme and not everyone followed the size restrictions. In the end, I still think that the show hangs well and shows how fiber art is progressing in North Atlanta.

Here is my co-curator Rebecca in front of her wonderful Cubist piece.

Love Song by Rebecca Reasons Edwards $900

Love Song
by Rebecca Reasons Edwards
$900

Sharon, on the left, made this wonderful piece, thread-painted and mounted on paper and canvas. Diane Shultheiss stands to her right.

Fairy Queen by Sharon Ahmed $1200

Fairy Queen
by Sharon Ahmed
$1200

This is my piece, Jacks are Wild, next to Susan Big’s piece I Felt Happy.

I Felt Happy by Susan Big $350 Jacks Are Wild by Virginia Greaves $1200

I Felt Happy by Susan Big
$350
Jacks Are Wild by Virginia Greaves
$1200

Debbie Smith made this whimsical piece.

Venus Midnight Bloom by Debbie Smith $350

Venus Midnight Bloom
by Debbie Smith
$450

Maggie Gershon from SEFAA joined us for the show and created this silk piece based on the Joker’s Wild card.

Joker's Wild by Maggie Gershon NFS

Joker’s Wild
by Maggie Gershon
NFS

We managed to convince our old friend Heidi Miracle to make this marvelous (and HUGE) piece for the Queen of Hearts. She looked lovely in the center of our back wall. Heidi used to make more textile pieces but now concentrates mostly on paintings.

Queen of Hearts by Heidi Miracle NFS

Queen of Hearts
by Heidi Miracle
NFS

She also made this smaller piece we put in one of our niches.

Queen Bee by Heidi Miracle NFS

Hellenne contributed this luminous piece created from silk. The colors in this are truly amazing — I don’t know that my camera was up to the task of truly capturing its magical sense of light.

Tree With Moon by Hellenne Vermillion $500

Tree With Moon
by Hellenne Vermillion
$500

And finally, Hellenne also contributed this silk piece with trapunto and hand stitching.

Koi Fish With Plants by Hellenne Vermillion $600

Koi Fish With Plants
by Hellenne Vermillion
$600

This is only a sampling of the wonderful pieces hanging. The exhibit will be available to the public at The Art Place through October 3rd. Then the majority of the collection will be available for viewing at the SEFAA Center October 8 – 26 with a reception October 10 10am-2pm.

Golden

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As I’ve mentioned before, I was lucky enough to have two pieces in the recent Sacred Threads show in Herndon, VA — Beach Guardians and The Bowl Judgments. It’s a biannual show and I haven’t participated in about four years — so I was delighted to find that the show published a book with all of the pieces from the show. Not having the ability to see the show in person, it gave me the chance to enjoy the exhibit from home and read all of the artist’s statements with time to study them alongside the work. You can order a copy of the book here.

Sacred Threads book

Then a couple of weeks ago, I received a manila envelope in the mail. Inside was this new copy of Machine Quilting Unlimited and nothing else. I don’t have a subscription (although I might have to get one now — it’s really well done) — so I was confused until I saw the little strip at the top that said “Sacred Threads 2013.” I flipped to the article for the exhibit — and Beach Guardians was one of the highlighted pieces.

I was really stunned. I have never had my work included in a magazine before. I felt like I had reached a milestone. My 15 minutes anyway.

Machine Quilting magazine

I have not been writing much on the blog lately. Part of me thinks that to have a blog, you need to write at least weekly. Another part of me really despises blog writers that fall off subject or write about nothing just to get a post out. I try to prepare something interesting and present it in a large enough piece that you can see progress. If I just showed you one day at a time, the blog would show everything in reverse order and it wouldn’t be nearly as interesting — to me anyway.

Once I had the girls back in school in August, I started thinking about my next piece. I really had no idea what I wanted to do. I started sifting through pics I took in the Spring and came across one that I really liked of a golden retriever. She is looking over her shoulder at her owner and has such a look of love in her eyes. If I found it captivating, maybe someone else would too.

I spent about a week drafting her. I typically bring the pic into Photoshop and reduce it to values only, adding lines of separation between differing objects — like the dog from her harness — or even her eyes and her nose from her fur. Then I spend a lot of time drawing in Photoshop using my Wacom tablet pen. Not only do I clean up the light scatter, I deepen shadows, add shadows to create definition, redraw the eyes, and simplify shapes.

From there, I continue the drafting process by pulling the final pattern into PosteRazor as a BMP file & scaling it to what I wanted. In this program, I can then tile print. Then I take the puzzle pieces, cut off the margins, and tape it back together. Now my pattern is back together — but larger.

Then I outline everything with an ultra thin black Sharpie. It bleeds through to the back giving me the reverse image that I’ll need for WonderUnder templates. I’ll have to go back & re-draw the lines on paper overlap — but it’s otherwise done. And FINALLY, I place a layer of see-through vinyl over the top of the pattern, tape it down, and trace it. I can then sew the vinyl to a piece of muslin (using a teflon foot that won’t stick) to use as my guide when I fuse the pieces down — or I can work on a very large fusing sheet and tape the vinyl pattern over that.

This is the beginning  showing the first & second value. The first value is almost impossible to see as it’s white like the muslin background.

Value 1 & 2

The third value gives you a better idea of the face.

Value 3

The fourth value shows the outline of the entire dog.

Value 4

The fifth value begins to give shadows and therefore definition to shapes.

Value 5

The sixth value goes into an orange. There is only so far you can go with yellow — even cream. The color that shows for this value will depend largely on what is placed next to it. In the pic, it looks a lot more orange than it actually is.

Value 6

The seventh value gives more depth and tones down the orange.

Value 7

I debated having an eighth value — I though about just making it black — but between yellow and orange, I had room to move into a dark brown cinnamon. There isn’t a lot of it anyway.

Value 8

Now the eyes. The pic normally gives me useless information here. I’ve found it best to draw them myself. The pupils are wide — and the irises are brown but has more gray in it than the brown tones in her fur. The outline of her eyes is black. You have to have a deep contrast here to feel the depth of the eye and most dogs can easily take the rich black for that function.

Eyes

The nose is an experiment — although I’m leaning towards keeping it. You would think that all the fur around the mouth would match her other fur — but it doesn’t. It’s shades of back and gray.

Nose

Seeing a full picture of her, I think the nose makes sense. The gray and the black have to work together to give the impression of a snout — which I think they do.

The open patches around her shoulder are for a harness — which I’ll work on today.

Without Harness

I ripped off the orange under her left eye — I found it distracting.

I’m not sure about the light gray at the bottom of the mouth — I’m still considering it.

I made the entire piece without extra around the edges — which I should have done since I put her right on the muslin. Making her this way, I should have fused her to a fusing sheet where I could detach her & place her on a background. I wasn’t thinking through it — I was too excited to get to my favorite part — the cutting! I love the meditative process of fusing the shapes, cutting them out, and layering them until I start to see recognizable shapes.

I’ll have to think around what to do to correct this.

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